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Cullinan Architects
This study examines the architectural practice of Edward Cullinan Architects, known for its high principled, user-oriented design philosophy. Since 1974, the firm has completed a significant number of buildings for selective clients, such as Olivetti and the National Trust. Since 1989, they have also been invited to carry out major projects throughout Europe, Japan and the USA, including Technical High School, Lagny, France; D'Hautree Secondary School, Jersey; Ambassador's Residence, Moscow; and The University of North Carolina Campus, USA.
Ends, Middles, Beginnings
Influential, pioneering, and active as ever, Edward Cullinan Architects continue to hold the pivotal place within British architectural practice that they established in the 1960s. Providing a unique, privileged insight into their working process, this exclusive and timely monograph showcases the firm's sensitivity to the built environment that has shaped all of their work, from Ted Cullinan's first commissions to the present. Ends Middles Beginnings takes a view from the present, looking from Cullinans' recent work to the future; situating this work within the contemporary scene, the book also provides an overview of how they reached the highly regarded position they hold today. Seminal buildings such as the Horder House and the RMC International Headquarters are explored alongside the practice's recent work.
Edward Cullinan Architects
Edward (Ted) Cullinan set up his practice in 1965 as a cooperative in the belief that architecture needed commitment from the whole team. He was inspired by a year at Berkeley in 1956, and worked closely with Denys Lasdun before deciding to draw, make and grow his own architecture. He startedwith highly inventive low-cost houses, building his own upside-down passive solar home in Camden Mews in North London where he lived until his death in 2019.The practice and the projects grew with major local authority housing schemes, schools, health buildings and conference centres before embarking on a sequence of university buildings and masterplans in the UK and abroad. Ted composed his buildings, d...
Why Architects Draw
Examines the social uses of architectural drawing: how it acts to direct architecture; how it helps define what is important about a design; and how it embodies claims about the architect's status and authority. Case study narratives are included with drawings from projects at all stages.
The Fabric of Place
Cities are the product of a myriad of forces. Their forms and structures evolve over centuries and articulate the relationships between us, their citizens--how we live, work and connect. Although constantly changing, they are also remarkably fragile, particularly in these times of rapid expansion and consequent pressures for increased density. Cities need careful cultivation by all involved in making proposals for their growth, if new projects are to support the continuity of existing city fabric, reinforce the particular identity of place and provide new workable living environments. Through their urban design work in many cities, Allies and Morrison have participated in ongoing discussions around many current issues. This book combines insights about how cities work with observations on how development plans can help, or hinder, their further evolution. Written by people in the practice, it draws together the rich ideas, theories, precedents and explorations that have informed their work and illustrates them with case studies of individual projects. The Fabric of Place: Allies and Morrison reflects on work-in-progress, as continuing conversations between theory and realisation.
Architecture an Inspiration
This book is about appreciation; it is an attempt to explain what architecture essentially is, rather than merely what it looks like. Architecture an Inspiration is addressed to those who enjoy buildings, cities and landscapes, and would like to have a deeper appreciation and a basis for their likes and dislikes. A full appreciation demands careful observation, and in these pages there are many explorations of this sort. The book is divided into two parts: the first is about the nature of architecture, describing what is necessary. The chapter headings define the basic requirements that, to varying degrees, must always be met, such as facilitating activity, moderating climate, relating to co...
Building on Knowledge
This guide shows design practices and other constructionprofessionals how to manage knowledge successfully. It explains howto develop and implement a knowledge management strategy, and howto avoid the pitfalls, focusing on the techniques of learning andknowledge sharing that are most relevant in professional practice.Expensive IT-based ‘solutions’ bought off-the-shelfrarely succeed in a practice context, so the emphasis here is onpeople-centred techniques, which recognise and meet real businessknowledge needs and fit in with the organisational culture. Knowledge is supplanting physical assets as the dominant basisof capital value and an understanding of how knowledge is acquired,shared a...
Peter Moro and Partners
Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, s...
From Models to Drawings
This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts. These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.
