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Actor Julie Hesmondhalgh's working diary begins in November 2016 at the end of a full and exciting year of theatre-making with her company, Take Back. The company is a northern-based collective creating immediate script-in-hand responses to social and political events (of which there were many in 2016). Her work with Take Back fell between filming the third series of Broadchurch for ITV and starring in the award-winning play Wit at the Royal Exchange Theatre in Manchester. She kicks off as she prepares to start rehearsals for Mike Leigh's epic film about the Peterloo Massacre of 1819; visits schools and colleges representing Arts Emergency - an organisation set up to promote opportunities fo...
What is it that you would want to be preserved for eternity? A man wakes in the middle of the night to discover that the world has stopped. Through the crack in his bedroom curtains he can see no signs of life at all...other than a light in the house opposite where a woman in an oversized Bowie T-shirt stands, looking back at him. The Greatest Play in the History of the World is a beautifully constructed love story, set on Preston Road and also in space and in time. Presented as a monologue for one actor, it asks profound questions with deepest sincerity whilst simultaneously balancing the human quest for meaningful connections. This edition was published to coincide with the play's run at the Traverse Theatre, Edinburgh in summer 2018 starring Julie Hesmondhalgh.
In this candid and empowering A to Z of being an actor, Julie Hesmondhalgh draws on her decades of experience on stage and screen - including in massively popular television shows such as Broadchurch, Happy Valley and Coronation Street - to lift the lid on the realities of life in today's industry, and show you how to navigate it. She shares practical advice on preparing for roles (don't be afraid of looking like a dick), managing the ups and downs of your career (and how to be out of work without losing your mind), dealing with failure (and success), not constantly comparing yourself to others (bloody hard, but try), looking after your mental health, and the power of knowing when to say 'no...
From their first meeting, Hayley Patterson and Roy Cropper were destined to become one of television's most loved and enduring couples. From their declaration of love, two weddings, the trials of being 'different' and the heartbreak of illness, the story of Roy and Hayley is one that has touched the hearts of millions. Their story raised the awareness of transgender issues, sparked debates on the 'right to die' argument, and much more. Glenda Young, editor of the Coronation Street Blog, began writing weekly updates in 1995; she continues to keep fans all over the world in touch with their favourite soap. This book presents the story of Roy and Hayley as one continuous account, giving you the chance to relive the ups, downs and major events in their lives. Written by a fan for the fans, this book will take you to the heart of the Croppers' relationship-it is told with love and admiration for the characters. If you love Coronation Street, you will enjoy The Diary of Roy and Hayley Cropper. It is The Perfect Duet.
I'm older now. I'm stronger. How do you know I haven't sorted out some natural equilibrium all on my own? Maybe we should try it, just for a bit.Diagnosed with a severe mental illness as a child, Anna was prescribed a cocktail of pills. Now a young adult, she's wondering how life might feel without them. But as she tries to move beyond the labels that have defined her, her mother feels compelled to intervene - threatening the fragile balance they have both fought so hard to maintain.Winner of a Judges Award at the 2015 Bruntwood Prize for Playwriting, Kendall Feaver's The Almighty Sometimespremiered at the Royal Exchange, Manchester, in February 2018.
This is not a story about the Yorkshire Ripper. It's 1975 and Sharon just wants to marry Donny Osmond. Her mum, June, is working to keep girls like Helen off the street, and Fiona is desperate to get inside the Milgarth Police Station incident room. Between the years of 1975 and 1980, the women of Leeds lived in fear. With no clue as to who was responsible for the sustained attacks and murders across the city, the authorities urged women to stay at home. From the fear and fury, a steadfast solidarity arose, birthing the Reclaim the Night movement and echoing down the generations to this day. Charley Miles's play There Are No Beginnings was premiered at Leeds Playhouse in October 2019, in a production featuring Julie Hesmondhalgh.
A Sunday Times Book of the Year All royalties from sales of this book go to The Big Issue If you could write a letter to your younger self, what would it say? Over 10 years ago, The Big Issue began to ask some of the best-known, most interesting and most successful figures in entertainment, politics, food, sport and business to give advice, offer hope and share a few jokes with their younger selves. They opened up, in ways they never had, to interviewer Jane Graham, reflecting on their lives and themselves with affection, sympathy and sometimes disbelief. This collection of 100 of the most incredible letters includes Paul McCartney on how he found inspiration, Olivia Colman on overcoming con...
This collection brings together major and emerging media analysts to consider key processes of media change, using a number of critical perspectives. The editors present a formidable range of theoretical viewpoints and approaches, applied to a broad and fascinating variety of case studies, from reality television to the BBC World Service, from blogging to control of copyright.
The first collection of its kind to bring together scholarly and practitioner perspectives, this book analyses the experiences, skills and techniques of actors when working on television. Featuring eleven chapters by internationally distinguished researchers and actor trainers, this collection examines the acting processes and resulting performances of some of the most acclaimed television actors. Topics include: studio and location realism; actor training for television; actor well-being in the television industry; performance in reality television and British and Irish actors in contemporary US television and film. The book also contains case studies examining the work of Emmy-award-winning actor Viola Davis and the iconic character of Gene Hunt in Life on Mars (BBC, 2006-2007).
This book makes the case for an inclusive form of socialist feminism that puts multiple disadvantaged women at its heart. It moves feminism beyond contemporary disputes, including those between some feminists and some trans women. Combining academic rigour with accessibility, the book demystifies some key feminist terms, including patriarchy and intersectionality, and shows their relevance to feminist politics today. It argues that the analysis of gender cannot be isolated from that of class or race, and that the needs of most women will not be met in an economy based on the pursuit of profit. Throughout, the book asserts the social, economic and human importance of the unpaid caring and domestic work that has been traditionally done by women. It concludes that there are some grounds for optimism about a future that could be both more feminist and more socialist.