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A 1998 collection of essays on the Argentine writer Julio Cortázar.
A collection of masterful short stories in Julio Cortazar's sophistocated, powerful and gripping style. 'Julio Cortázar is truly a sorcerer and the best of him is here, in these hilariously fraught and almost eerily affecting stories' Kevin Barry A grieving family home becomes the site of a terrifying invasion. A frustrated love triangle, brought together by a plundered Aztec idol, spills over into brutality. A lodger’s inability to stop vomiting bunny rabbits inspires a personal confession. As dream melds into reality, and reality melts into nightmare, one constant remains throughout these thirty-five stories: the singular brilliance of Julio Cortazar’s imagination. WITH A NEW INTRODUCTION BY KEVIN BARRY ‘Anyone who doesn't read Cortázar is doomed’ Pablo Neruda
One of the most influential figures in the Latin American literary boom of this century, this highlights the Argentine writer's superb stories, taking into account other works of fiction, miscellanea, and nonficiton to give a balanced overview of Cortazar's lasting accomplishments.
This book offers interviews, reviews, tributes and articles to examine the works of Julio Cortazar with a biographical introduction.
Cortozar had a seminal influence on postwar Latin American fiction, and he was as significant for Garcia Marquez, Fuentes, and Vargas Llosa as his Argentine compatriot, Borges. In The Winners, a mixed group of Buenos Aireans, a cross-section of Argentine society, who have won a trip on a luxury cruise in the lottery, find themselves mysteriously adrift. Cortozar's first novel is a fantastic fiction that is also a parable of social paralysis exploring the universal theme of a society in the grips of terror.
Julio Cortazar's crazed masterpiece, the forbearer of the Latin Boom in the 1960s - published in Vintage Classics for the first time 'Cortazar's masterpiece. This is the first great novel of Spanish America... A powerful anti-novel but, like deeply understood moments in life itself, rich with many kinds of potential meanings and intimations' Times Literary Supplement Dazed by the disappearance of his muse, Argentinian writer Horatio Oliveira wanders the bridges of Paris, the sounds of jazz and the talk of literature, life and art echoing around him. But a chance encounter with a literary idol and his new work – a novel that can be read in random order – sends Horatio’s mind into further confusion. As a return to Buenos Aires beckons, Horatio’s friend and fellow artist, Traveler, awaits his arrival with dread –the lives of these two young writers now ready to play out in an inexhaustible game of indeterminacy.
"A Cuban of our acquaintance describes Cortázar as "the best French writer in Spanish." Not only because he has the candor to set his fiction in Paris, where so many South American writers have found breathing room, but because he has a truly French feel for the miscellaneous, kitchen-sinky, birds-eye texture of dally life. In A Manual for Manuel, you'll meet Andres, Marco, Francine, Lonstein, Lucienne, Patricio, and Susanna: a mixed group of French intellectuals and "Argentines who don't know what they're doing" in Paris. Together they make up "the Screwery," a collective that's more "pataphysical" than strictly revolutionary - involved in projects as diverse as collecting a scrapbook of n...
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