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Uncanny Histories in Film and Media
Introduction: Uncanny histories / Patrice Petro -- Pt. 1. The disciplinary uncanny -- Film and media in the double take of history / Priya Jaikumar -- Haunted by the body: cleanliness in colonial Manila's film culture / Jasmine Trice -- Reimagining the history of media studies through games, play and the uncanny valley / Alenda Chang -- Pt. 2. Uncanny films -- Flickering lights and mischievous stars: the uncanny feminism of my twentieth century / Hanna Goodwin -- The sublime body under the sign of developmentalism: the Wolf of Wall Street (2013), Malaysian politics and global markets / Peter J. Bloom -- Uncanny histories of transnational cinematic receptions: Eisenstein in Cuba / Masha Salazkina -- Pt. 3. Uncanny figures -- Julia García Espinosa and the fight for a critical culture in Cuba / Cristina Venegas -- The case for (re)collecting Lotte Eisner's work / Naomi DeCelles -- A widow's work: archives and the construction of Russian film history / Maria N. Corrigan -- Fiendish devices: the uncanny history of Almena Davis / Ellen C. Scott.
A Narrow Bridge
“One of the most important and least attended-to mysteries in the treatment of mental illness is the need for a delicate, careful and thoughtful study and separation between the symptoms of illness and the search for God. There’s a difference between visions and hallucinations which very few psychiatrists and psychotherapists understand and support – even now. A Narrow Bridge is the only first-person memoir I’ve read to touch on and reveal these differences and to attempt to explain them. It is a well-thought-out, honest and penetrating memoir. This is one of the things that makes Bronstein’s work a vital contribution to the first-person literature on this deep subject.” —Joann...
The Cuban Filmography
On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film. This work is a filmography of every Cuban film (including documentaries, shorts and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production c...
People's Power
Focusing primarily on the municipal level but also presenting material on the national and provincial elected bodies and the newer people's councils and workers' parliaments, Roman (behavioral and social sciences, City U. of New York) offers a theoretical, historical, and contemporary analysis. He finds theoretical foundations in Rousseau, Marx, and Lenin and historical precedents in the Paris Commune, the 1905 and 1917 Soviets, and the Soviet Union before and after Stalin. His coverage extends from the various experiments after the triumph of the revolution in 1959 through effects of the 1992 Constitution and election law, to the present. Annotation copyrighted by Book News, Inc., Portland, OR
Cuban Insurrection 1952-1959
The Cuban Insurrection is an in-depth study of the first stage of the Cuban Revolution, the years from 1952 to 1959. The volume depicts the origins of the conflict, details the middle years, and ends with Fidel Castro's victorious arrival In Havana on January 8, 1959. Based on a wealth of hitherto unpublished original material, including confidential military reports, letters from various leaders of the insurrection and data gathered from interviews held In Cuba and abroad, the book Is a descriptive historical analysis of the struggle against military dictator Fulgencio Batista. The authors challenge the traditional premise that Cuba's insurrection began in the rural areas and only later exp...
