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November Joe: Detective of the Woods
November Joe: The Detective of the Woods, is a frontier Sherlock Holmes. Written in 1913 by a real explorer, adventurer, November Joe is the best tracker in Canada and uses his logic with patience and thoughtfulness. This Stillwoods Edition features all of the images from two of the original impressions, 15 illustrations.
Directory
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Current Catalog
First multi-year cumulation covers six years: 1965-70.
In the Lion's Mouth
[Buy this book now only at the iUniverse.com bookstore. Order from bookstores everywhere in 4-6 weeks!] In the Lion's Mouth tells the dramatic story of Gisi Fleischmann, the middle-aged widow who headed the Jewish relief and rescue efforts in Slovakia during the Holocaust. Frantic to stop deportations from their country and to save Jews throughout Europe, Gisi and her colleagues daringly explored a controversial question: Was it possible to bargain with the Nazi's for lives?
Cannibalizing the Canon
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Concrete
From the Foreword by Kenneth Frampton: "Concrete remains a valuable historical text that in many respects has never been given its due. It is an unmatched pioneering history of the development of reinforced concrete up to 1914. It records and analyses the densely articulated, if provincial, English debate with respect to the aesthetic challenge posed by the increasing popularity of concrete from around 1870 onwards. Finally, until very recently it was the only readily available monograph on Auguste Perret in English. In this regard it is particularly valuable as a thorough and perceptive assessment of Perret's life and career, one that still stands as a point of departure for all current attempts to situate this seminal architect within the wider trajectory of twentieth-century culture."
