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Julius Meier-graefe
  • Language: en

Julius Meier-graefe

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

Vincent
  • Language: en

Vincent

  • Type: Book
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  • Published: 1922
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  • Publisher: Unknown

None

Vincent Van Gogh
  • Language: en
  • Pages: 302

Vincent Van Gogh

  • Type: Book
  • -
  • Published: 1926
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  • Publisher: Unknown

None

Vincent Van Gogh
  • Language: en
  • Pages: 364

Vincent Van Gogh

  • Type: Book
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  • Published: 1928
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  • Publisher: Unknown

None

Julius Meier-Graefe
  • Language: fr
  • Pages: 197

Julius Meier-Graefe

  • Type: Book
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  • Published: 1912
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  • Publisher: Unknown

None

Text and Display
  • Language: en

Text and Display

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

None

A Modern Milieu - Julius Meier-Graefe
  • Language: en
  • Pages: 83

A Modern Milieu - Julius Meier-Graefe

  • Type: Book
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  • Published: 2007
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  • Publisher: Lulu.com

First-time English translation of one of the classics of early Sachlichkeit focusing on an apartment then situated in Munich.

Vincent Van Gogh
  • Language: de

Vincent Van Gogh

  • Type: Book
  • -
  • Published: 1933
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  • Publisher: Unknown

None

Pyramid and Temple, by Julius Meier Graefe. Translated by Roger Hinks
  • Language: en
  • Pages: 361

Pyramid and Temple, by Julius Meier Graefe. Translated by Roger Hinks

  • Type: Book
  • -
  • Published: 1930
  • -
  • Publisher: Unknown

None

Modern Art
  • Language: en

Modern Art

This groundbreaking work of art criticism challenges traditional notions of beauty and aesthetics. Authors Florence Simmonds, George William Chrystal, and Julius Meier-Graefe argue that modern art should be judged on its own terms, rather than in comparison to classical art. They propose new criteria for evaluating art, rooted in the principles of individual expression and subjective interpretation. A must-read for anyone interested in the development of modern art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.