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Wild Plants of Maine
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My Maine School Bus Driver
We all have a favorite teacher, but do you have a favorite bus driver? My Maine School Bus Driver follows Mr. Gosselin as he drives along the roads of a small Maine coastal town. He points out animals on the route, makes a pet of a spider that surprised students and tells jokes to uproarious laughter--or groans. This story of a bus driver on his route will help students realize that drivers are people too and that each of us has a responsibility to help keep the bus and its riders safe.
Nobody Wants to Read Your Sh*t
There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with every sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?
Just Write: Here's How!
After writing more than one hundred books, it still amazes me that I have been lucky enough to spend most of my life doing what I truly love: writing. What makes a writer? The desire to tell a story, a love of language, an eye for detail, practice, practice, practice. How well should you know your characters? Do you need to outline before you write? How important is length? Now Walter Dean Myers, the new National Ambassador for Young People's Literature and New York Times bestselling and award-winning author, walks you through the writing process. Includes: Examples from his writing and reading experiences Walter's six-box and four-box outlines for writing fiction and nonfiction Excerpted pages from Walter's own notebooks An afterword by Ross Workman, Walter's teen coauthor of kick Writing tips from both Walter and Ross Anyone can be a writer, with a little help from Walter Dean Myers!
The People & The Idiots
Growing up in a cult, Daniel Hawes, learned to cope without parents and siblings. His story is achingly sad and yet heroic.
Just Write
Just write. Does it have to be more complicated than this? Yet, as writers, we find all sorts of obstacles to put in our path. When struggling, this simple affirmation can get the words flowing and unlock hidden potential we did not know existed. Approximately 4,200 words.
Why I Write
George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell's Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the 'four great motives for writing' – 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell's mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer's oeuvre.
Perennial Seller
Bestselling author and marketing strategist Ryan Holiday reveals to creatives of all stripes-authors, entrepreneurs, musicians, filmmakers, fine artists-how a classic work is made and marketed. Classic. Evergreen. Cult. Backlist. We can all identify with products that seem to last forever and just keep selling. But how can we create things that can and should last, especially in an environment where short-term gain and flash-in-the-pan success are so often the benchmark, where Hollywood movies are written off after a weekend or Silicon Valley start-ups are considered to have failed if they don't go viral? Enter Ryan Holiday and his concept of the Perennial Seller, products that exist in ever...
How Creativity Rules the World
Axiom Business Book Award Winner in Entrepreneurship Category Learn to make creativity work for your career. Anyone, regardless of who you are or what you do, can cultivate the habits, actions, and attitudes that inspire creativity and innovation. There has never been a more crucial time than now to develop your creativity and your ability to innovate. Coming up with original ideas of value is today’s most precious skill. How Creativity Rules the World shows that, despite contrary beliefs, creativity can be taught and learned by anyone. Creativity is an inexhaustible resource that is the key to thriving in the business world and beyond. This timeless guide promises to make the creative pro...
The Story Grid
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
