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The Old Weird Albion
A woman stands at the edge of a cliff, looking out to sea and the horizon. Dancers welcome the sun in a circle of stones. A dowsing road turns without warning. A church bell. Footsteps. Old Weird Albion is America writer Justin Hopper's dark love song to the English South; a poetic essay interrogating the high, haunted landscape of the South Downs Way; the memories, myths and forgotten histories from Winchester to Beachy Head. When someone disappears, when someone leaps from a cliff and is all-but-erased from memory, what traces might we find in the crumbling chalk of the cliff face; in the wind that buffets the edge of this Albion? A skewed alternative to Bill Bryson, Hopper casts himself a...
The Old Weird Albion
"Old Weird Albion is America writer Justin Hopper's dark love song to the English South; a poetic essay interrogating the high, haunted landscape of the South Downs Way; the memories, myths and forgotten histories from Winchester to Beachy Head. When someone disappears, when someone leaps from a cliff and is all-but-erased from memory, what traces might we find in the crumbling chalk of the cliff face; in the wind that buffets the edge of this Albion? A skewed alternative to Bill Bryson, Hopper casts himself as the outsider as he wanders the English countryside in pursuit of mystical encounters. His journey sees him joining New Age eccentrics and accidental visionaries on the hunt for crop circles and druidic stones, discussing the power of nature with ecotherapists and pagans, tracing the ruins of abandoned settlements and walking the streets of eerie suburbs. Through a startling revelation of his own family history, Hopper turns part detective, part memoirist, tracking the footsteps of his grandfather's first wife, Doris; piecing together her forgotten history."--
Failure to Disrupt
A Science “Reading List for Uncertain Times” Selection “A must-read for anyone with even a passing interest in the present and future of higher education.” —Tressie McMillan Cottom, author of Lower Ed “A must-read for the education-invested as well as the education-interested.” —Forbes Proponents of massive online learning have promised that technology will radically accelerate learning and democratize education. Much-publicized experiments, often underwritten by Silicon Valley entrepreneurs, have been launched at elite universities and elementary schools in the poorest neighborhoods. But a decade after the “year of the MOOC,” the promise of disruption seems premature. In...
Nigh-no-place
Jen Hadfield began this book on the hoof, travelling across Canada with an appetite for new landscapes. However, it is in Shetland that she becomes acutely aware of her own voice - her fluency and tongue-tiedness, repetition, hiatus and breath. Hadfield is also the author of 'Almanacs'.
Hopper
Now in rich color, thirty of American painter Edward Hopper’s masterpieces with critiques from acclaimed poet Mark Strand. Strand deftly illuminates the work of the frequently misunderstood American painter, whose enigmatic paintings—of gas stations, storefronts, cafeterias, and hotel rooms—number among the most powerful of our time. In brief but wonderfully compelling comments accompanying each painting, the elegant expressiveness of Strand’s language is put to the service of Hopper’s visual world. The result is a singularly illuminating presentation of the work of one of America’s best-known artists. Strand shows us how the formal elements of the paintings—geometrical shapes pointing beyond the canvas, light from unseen sources—locate the viewer, as he says, “in a virtual space where the influence and availability of feeling predominate.” An unforgettable combination of prose and painting in their highest forms, this book is a must for poetry and art lovers alike.
Santa Claus, Last of the Wild Men
Much of the modern-day vision of Santa Claus is owed to the Clement Moore poem "The Night Before Christmas." His description of Saint Nicholas personified the "jolly old elf" known to millions of children throughout the world. However, far from being the offshoot of Saint Nicholas of Turkey, Santa Claus is the last of a long line of what scholars call "Wild Men" who were worshipped in ancient European fertility rites and came to America through Pennsylvania's Germans. This pagan creature is described from prehistoric times through his various forms--Robin Hood, The Fool, Harlequin, Satan and Robin Goodfellow--into today's carnival and Christmas scenes. In this thoroughly researched work, the origins of Santa Claus are found to stretch back over 50,000 years, jolting the foundation of Christian myths about the jolly old elf.
Lights Out for the Territory
"Iain Sinclair is our greatest guide to London...(his) pitch is urban, jagged; the city is a maze of symbols waiting to be revealed, and Sinclair conjures them beautifully before our eyes".-"The Spectator"
Mount London
An invisible mountain is rising above the streets of the capital - and at over 1,800 metres, it is Britain's highest peak. This ingenious new book is an account of the ascent of 'Mount London' by a team of writers and urban cartographers, each scaling a smaller hill within the city - from Crystal Palace (112m) to Primrose Hill (78m). The essays and stories in Mount London unpeel London's history and geography, reimagining the city as mountainous terrain and exploring what it's like to move through the urban landscape. Ascents of natural peaks are offset by expeditions to the city's artificial mountains - The Shard (306m), the chimneys of Battersea Power Station (103m) - the search for 'ghost...
"We are the Mods"
"Drawing on archival research, oral history interviews, and participant observation, this examination of the adoption and adaptation of Mod style across geographic space also maps its various interpretations over time, from the early 1960s to the present. The book traces the Mod youth culture from its genesis in the dimly lit clubs of London's Soho. where it began as a way for young people to reconfigure modernity after the chaos of World War II, to its contemporary, country-specific expressions. By examining Mod culture in the United States, Germany, and Japan alongside the United Kingdom, "We Are the Mods" contrasts the postwar development of Mod in those countries that lost the war with those that won. The book illuminates the culture's fashion, music, iconography, and gender aesthetics, to create a compelling portrait of a transnational subculture." --Book Jacket.
