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Is the history of a dangerous love affair destined to be repeated? At the height of her career, opera singer Katherina Marow is brought crashing down by her father's suicide. Among his effects, she finds his wartime journal and reads the heart-wrenching entries of a soldier in Russia and in war-torn Berlin. She learns the crimes and secrets her father harbored, but cannot condemn him, for while she discovers his demons, she is facing her own. The stage-world she lives in draws her into a lawless ecstatic realm, and she is tempted, as he was, by forces which could destroy her. Has she too made a devil's pact? And if so, will she pay for it, as her father did, with her life?
Ancient curses, modern day villains, and a most intriguing woman who keeps appearing when least expected and thenÉdisappearing. Archeologist Valerie Foret has spent a year searching for a tomb in the Egyptian desertÑa labor broken only by high risk trysts with a powerful manÕs wife. When she finally makes the discovery of a lifetime, she is set upon by jealous rivals and religious fanatics. Worse, she is drawn into the depths of the desert by forces that offer knowledge of vast mysteries and at the same time threaten to destroy everything she knows. For what sheÕs found is a glimpse into the hereafter, and itÕs nothing like itÕs supposed to be. Brilliant scientist that she is, she has loved most unwisely and learned what she does not want to know. Follow her adventures through modern and ancient Egypt, through this world and the next, with Book One of the Ibis Prophecy.
What happens when a mask becomes the deepest truth, when a lie reveals the greatest love that was ever given? Renaissance historian Joanna Valois and transgendered beauty Sara Falier take us spiraling into the past, from New York City during the Stonewall riots, to Venice under the Inquisition, and finally to NeroÕs Rome. In Venice, they find a sixteenth century heretical book and learn about the woman condemned to death for printing it. The book, a translation of an ancient codex describing the Crucifixion, shattered the lives of nearly everyone who touched it, and 400 years later, could still bring half the world to its knees.
Eros, art, and gorgeous blasphemyÉ Adrianna Borgia, survivor of the Borgia court, presents Michelangelo with the greatest temptations of his life while struggling herself with soul-threatening desires and heresies. Her growing passion for the painter Raphaela Bramante mirrors the sculptorÕs damnable interest in a castrato in the Sistine choir and in the ideas of secular humanism. Claimed as the epitome of Christian inspiration, MichelangeloÕs ceiling is revealed as a coup of Eros upon religion, a gorgeous blasphemy and a paean to forbidden love in the very heart of the Church.
Twelve years of terror end with a world in flames. Behind filmmaker Leni RiefenstahlÕs stirring footage of a million joyous patriots, the horror of Nazi Germany unfolds. It engulfs Katja Sommer, a Ògood GermanÓ who discovers honor in treason; Frederica Brandt, active in the highest circles of power; Rudi Lamm, homosexual camp survivor and forced SS killer; and Peter Arnhelm, a half- Jewish terrorist. Under the scrutiny of the familiar monsters of the Third Reich, these four struggle for life, decency, and each other. Love does not conquer all, but itÕs better than going to hell alone.
Valerie ForetÑarcheologist and heir to a terrifying task Ñreturns in a powerful desert adventure set in Egypt and Jerusalem, in both modern and medieval times. On the eve of the release of Valerie ForetÕs great chronicle, Valerie learns that hers is not the 100th generation of the prophecy at all. In grappling with a mysterious and lethal opponent, Valerie witnesses the horrors of the first Crusade in which her ancestors, both innocent and malevolent, have carried out a drama identical to her own. The weapon that succeeded then and now threatens once again is the terrible power of faith. Will the outcome be the same? In the course of fleeing the forces of violent fundamentalism, Valerie, a westerner, and Najya Khoury, an AraIsraeli, fall in love and find out just how dangerous it is to challenge accepted Ôtruth.
It is 1944, and vast armies drive each other back and forth over blood-drenched Europe. In the midst of it, two radically different women meet, one a Russian speaking American on a failed diplomatic mission and the other a Soviet sniper. The American, fleeing a sordid past worthy of Dostoyevsky, has murder in her heart but has injured no man. The other, a once-saintly believer, has killed a hundred of them for Stalin. Their politics are worlds apart, but a reckless drunken kiss has tied them together, through church and trench, incense and the smoke of battle. If they survive the war, can they survive the peace?
Dana Norland shoots two men in cold blood and flees the US for the mountains of Rwanda. Posing as a biologist, she finds herself caring for gorillas with Kristen, Dian Fossey's successor at the Karisoke research center. She has plenty of time to think about what she's done, but can she find peace? Apparently not, for the mountain is haunted both by the ghost of Dian Fossey, and by the men who murdered her. Personal vendetta joins with genocide, and to flee the marauding butchers, the women hide in the rainforest. Among the mountain gorillas they once protected, they learn what justice is. And what it is not.
Antonia Forrester, an English nurse, is nearly killed while trying to save soldiers fleeing at Dunkirk. Embittered, she returns to occupied Brussels as a British spy to foment resistance to the Nazis. She works with urban partisans who sabotage deportation efforts and execute collaborators, before rsistante leader Sandrine Toussaint accepts her into the Comet Line, an operation to rescue downed Allied pilots. After capture and then escape from a deportation train headed for Auschwitz, the women join the Maquis fighting in the Ardenne Forests. Passion is the glowing ember that warms them amidst the winter carnage until London radio transmits the news they've waited for. Huddled in the darkness, they hear the coded message, "the long sobs of the violins" signaling that the Allied Invasion is about to begin.
"As the German Blitzkrieg brings the Soviet Union to its knees in 1942, a regiment of women aviators flies out at night in flimsy aircraft without parachutes or radios to harass the Wehrmacht troops. The Germans call them 'Night Witches' and the best of them is Lilya Drachenko. From the other end of the world, photojournalist Alex Preston arrives to 'get the story' for the American press and witnesses sacrifice, hardship, and desperate courage among the Soviet women that is foreign to her. So also are their politics. While the conservative journalist and the communist Lilya clash politically, Stalingrad, the most savage battle of the 20th century, brings them together, until enemy capture and the lethal Russian winter tears them apart again"--Publisher's description.