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Juul Kraijer's practice draws upon Surrealist photography, using models as vehicles for ideas rather than portraits: 'Without being literal, I'm employing the Surrealist grammar of alienation; mirroring, fusing of disparate entities, animating an object, objectifying a human body part, or casting a dazzling web of shadows on it.' In a situation that would normally arouse anxiety, the model preserves a stillness and grace reminiscent of Renaissance portraiture, further evoking a sense of an otherworldly, dream-like space through real encounters that border on the surreal.
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How to Do Things with Affects develops affect as a highly productive concept for both cultural analysis and the reading of aesthetic forms. Shifting the focus from individual experiences and the human interiority of personal emotions and feelings toward the agency of cultural objects, social arrangements, and aesthetic matter, the book examines how affects operate and are triggered by aesthetic forms, media events, and cultural practices. Transgressing disciplinary boundaries and emphasizing close reading, the collected essays explore manifold affective transmissions and resonances enacted by modernist literary works, contemporary visual arts, horror and documentary films, museum displays, and animated pornography, with a special focus on how they impact on political events, media strategies, and social situations. Contributors: Ernst van Alphen, Mieke Bal, Maria Boletsi, Eugenie Brinkema, Pietro Conte, Anne Fleig, Bernd Herzogenrath, Tomáš Jirsa, Matthias Lüthjohann, Susanna Paasonen, Christina Riley, Jan Slaby, Eliza Steinbock, Christiane Voss.
British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.
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The subversive visual programme of the Surrealists was expressed in the interplay of the contradictions, with the goal of radically dismantling the expectations of the hitherto experienced. Today, in a time shaped by increasingly impenetrable and contradictory fragments of information, a new generation of artists is rediscovering the multifarious poetic stylistic devices of Surrealism. Using a disparate, curious and ambiguous aesthetic, they respond to our uncertain and long since incomprehensible world. This exhibition catalogue The Ear of Giacometti evokes the main lines of development of central (post-)Surrealist themes and is richly illustrated with images from classical and contemporary Surrealist art. Artists include: Hans Bellmer, Peter Blake, Louise Bourgeois, Joseph Cornell, Salvador Dali, Damien Hirst, Rene Magritte, Joan Miro, Meret Oppenheim, Man Ray, and Daniel Spoerri. Published on the occasion of the exhibition at Levy Galerie, Hamburg, November 2010 - February 2011.