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India's Popular Culture
The book focuses on the current contexts of popular visual culture. Both popular and visual as specific forms of modern culture have only recently received serious academic attention in India. Some of the factors which have supplied new frames to these cultural categories are the emergence of modern communication technologies - digital media, TV, and film - as well as emergent new disciplines such as cultural studies, visual studies, film, and media studies. The essays explore the role of popular imagery through various aesthetic streams in such diverse areas as religious and social symbolism, national identity, theatre backdrops, film poster art, photography, architecture and urban living.
Jaina Iconography
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Ganga Devi
"In the Mithila region of north Bihar there is an old tradition of painting the walls of the nuptial chamber. The paintings are an assemblage of symbolic images of the lotus plant, the bamboo grove, fishes, birds and snakes in union, and represent fertility and the proliferation of life. According to conventional ritual practice, the bride and the groom spend three nights in this chamber without cohabiting, and on the fourth, amidst the paintings, consummate the marriage." "Ganga Devi, both as a person and as an artist, was rooted in the tradition of Mithila painting. While the tradition was deeply ingrained in her and was a source of inspiration in her work, and of courage in her tormented ...
Jaina Iconography
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Jangarh Singh Shyam
This volume presents a study of the life and work of the Gond artist Jangarh Singh Shyam. 0Before any sound critical framework could be evolved around the phenomenal artist Jangarh Singh Shyam as the originator of an extraordinary individualistic idiom of painting, ruthless market forces regrettably came to dominate his art and Jangarh himself became their first casualty. While trying to finish a large commission at a museum in Japan under adverse circumstances, Jangarh committed suicide in 2001. He was 40.0The book probes the efficacy of extra-cultural interventions into an individual artist?s operative and relatively well-grounded indigenous cultural tradition, and asks how the latter inte...
Picture Showmen
A Comprehensive Historical Survey Of The Manifold Tradition Of Pictorial Narration In India From Ancient Times To The Present Day. Discuss-The Early Buddhist Narrative Technique And Aspects Of Narrative In Indian Miniatures, Narrative Folk Forms From Andhra Pradesh, Bengal, Gujarat, Maharashtra, Rajasthan And The Deccan. The Work Of Gulan Mohammed Sheikh. Includes Insights Into The Lives Of Traditional Performing Families. Lavishly Illustrated.
Kalighat Painting
Dr. Jain`S Analysis Is A Creative One: It An Art-Historical Grid On The Works But Allows The Theoretical Framework To Emerge From The Very Materiality, The Contradictions Inherent In The Evolution Of All Works Of Art.
Revelry, Rivalry, and Longing for the Goddesses of Bengal
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achiev...
