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This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Mendilow's collection clarifies outcomes that are critical to an assessment of the ramifications for modern democracy. In a politically divisive climate, the contributors to this essential collection provide thoughtful insight into some of the most important public and economic policy questions facing our world today. Book jacket.
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
An original insight into how occupation officials and relief workers controlled and cared for Displaced Persons in the French zone.
Après un rappel de la politique coloniale de l'Allemagne impériale et de l'actualité de Leo Frobenius, ce dossier tente de saisir les développements de la politique africaine de l’Allemagne d’aujourd’hui dans les domaines politique et militaire, économique et culturel.
An archive-based study examining how the four Allies - Britain, France, the United States and the Soviet Union - prepared for and conducted their occupation of Germany after its defeat in 1945. Uses the case of public health to shed light on the complexities of the immediate post-war period.
The 'zero hour' of the title was 1945, when Germany had to confront total devastation, the crimes of Nazism, the onset of the Cold War, & the division of the country. It was a time of intense intellectual debate, here reviewed through the mediums of literature & literary discourse.
Mise en lumière des enjeux politiques liés aux restitutions de collections en Allemagne
Ce dossier sur « Berlin aujourd'hui » porte sur la vitalité économique et culturelle de la ville de Berlin aujourd'hui sur fond d’histoire et de travail de mémoire. Il éclaire les évolutions de la ville en une grande métropole urbaine depuis l’unification et intègre une réflexion sur l’impossibilité d’une réforme territoriale qui aurait pu...
Ce dossier étudie la spécificité et la place des relations franco-bavaroises au sein des relations franco-allemandes tant d'un point de vue historique que politique, économique et culturel.