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Point of View, Perspective, and Focalization
Stories do not actually exist in the world but are created and structured- modeled- through the process of mediation, i.e. through the means and techniques by which they are represented. This is an important field, not only for narratology but a
Thieves in Court
An exploration of how petty theft in the nineteenth-century German countryside contributed to the modern-day legal system and property laws.
Lovable Crooks and Loathsome Jews
In the years leading up to the World Wars, Germany and Austria saw an unprecedented increase in the study and depiction of the criminal. Science, journalism and crime fiction were obsessed with delinquents while ignoring the social causes of crime. As criminologists measured criminals' heads and debated biological predestination, court reporters and crime writers wrote side-splitting or heart-rending stories featuring one of the most popular characters ever created--the hilarious or piteous crook. The author examines the figure of the crook and notions of "Jewish" criminality in a range of antisemitic writing, from Nazi propaganda to court reporting to forgotten classics of crime fiction.
The Narratological Analysis of Lyric Poetry
This study offers a fresh approach to the theory and practice of poetry criticism from a narratological perspective. Arguing that lyric poems share basic constituents of narration with prose fiction, namely temporal sequentiality of events and verbal mediation, the authors propose the transgeneric application of narratology to the poetic genre with the aim of utilizing the sophisticated framework of narratological categories for a more precise and complex modeling of the poetic text. On this basis, the study provides a new impetus to the neglected field of poetic theory as well as to methodology. The practical value of such an approach is then demonstrated by detailed model analyses of canonical English poems from all major periods between the 16th and the 20th centuries. The comparative discussion of these analyses draws general conclusions about the specifics of narrative structures in lyric poetry in contrast to prose fiction.
Handbook of Diachronic Narratology
This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that t...
Crime, Jews and News
Examines the discourse in the press on Jewish crime at the turn of the 19th century - in an epoch when criminal and court-room reports became very popular and attracted a wide audience. The period 1895-1914 was marked by the development of criminal science, which attempted to find psychological and physical abnormalities identifying the "born" criminal, and by a rise in racist antisemitism. Theories of a Jewish propensity to crime were circulated. Remarkably, racial antisemitism affected the press accounts on Jewish criminals, or Jewish "accomplices" (defense attorneys, etc.) of non-Jewish criminals, only to a small degree. Of all the antisemitic narratives on Jewish criminality, the antisem...
Storyworlds Across Media
The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media--everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games--is key to understanding the dynamics of culture and society. "Storyworlds across Media" explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness? The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.
Faust Adaptations from Marlowe to Aboudoma and Markland
Faust Adaptations, edited and introduced by Lorna Fitzsimmons, takes a comparative cultural studies approach to the ubiquitous legend of Faust and his infernal dealings. Including readings of English, German, Dutch, and Egyptian adaptations ranging from the early modern period to the contemporary moment, this collection emphasizes the interdisciplinary and transcultural tenets of comparative cultural studies. Authors variously analyze the Faustian theme in contexts such as subjectivity, genre, politics, and identity. Chapters focus on the work of Christopher Marlowe, Johann Wolfgang von Goethe, Adelbert von Chamisso, Lord Byron, Heinrich Heine, Thomas Mann, D. J. Enright, Konrad Boehmer, Mah...
Handbook of Narratology
This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.
The Great Tradition and Its Legacy
Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.
