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This text is presented in English and German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with - encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. There is a single section that deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.
Born to an illustrious Roman family in 125 BCE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek. Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes's freedman. Though Herodes was charged, he was acquitted. Pomeroy's investigation suggests that despite Herodes's erection of numerous monuments to his deceased wife, he was in fact guilty of the crime.
This book is a collection of essays with commentary and evaluative bibliography on Plutarch, Advice to the Bride and Groom and Consolation to His Wife, along with Greek texts and English translations. It is designed to help readers understand and appreciate two important documents for the study of gender and the family in the Greco-Roman world and in later Western history. This book therefore is written for both a scholarly and a general audience. The commentary, essays, and bibliography are designed for those who are reading the English translation. The Greek text, which is not otherwise easily accessible, is included for the convenience of readers who can read Greek.
Analyses of the dynamics of change present in Europe are not complete without taking into account the role and function of the critical approach as a founding element of European culture. An appreciation of critical thinking must go hand-in-hand with reflection on its essence, forms, and centuries-long tradition. The European philosophical tradition has thematized the problem of criticism since its appearance. This book contains articles on the history of philosophical criticism and ways that it has been understood in European thought. Individual chapters contain both historical-philosophical and problem-oriented analyses, indicating the relationships between philosophical criticism and rati...
The Encyclopedia of Ancient Natural Scientists is the first comprehensive English language work to provide a survey of all ancient natural science, from its beginnings through the end of Late Antiquity. A team of over 100 of the world’s experts in the field have compiled this Encyclopedia, including entries which are not mentioned in any other reference work – resulting in a unique and hugely ambitious resource which will prove indispensable for anyone seeking the details of the history of ancient science. Additional features include a Glossary, Gazetteer, and Time-Line. The Glossary explains many Greek (or Latin) terms difficult to translate, whilst the Gazetteer describes the many locales from which scientists came. The Time-Line shows the rapid rise in the practice of science in the 5th century BCE and rapid decline after Hadrian, due to the centralization of Roman power, with consequent loss of a context within which science could flourish.
For generations, the Royal Library in Denmark has contributed to or published bibliographies within the field of humanities and social sciences. This bibliography of Classical studies is a continuation of P.A. Hansen's Bibliography of Danish Contributions to Classical Scholarship from the Sixteenth Century to 1970 (Copenhagen 1977), continuing up to 1991. It restricts itself to Classical Antiquity, from which follows the exclusion of Theology (comprising works by or on Christian writers in antiquity, as well as the Scriptures), Middle Latin, Byzantine Greek (scholia on classical writers excepted), the Classical tradition, and the ancient cultures outside the classical world.
Why is the United States struggling to enact policies to reduce carbon emissions? Conventional wisdom holds that the wealthy and powerful are to blame, as the oligarchs and corporations that wield disproportionate sway over politicians prioritize their short-term financial interests over the climate’s long-term health. David B. Spence argues that this top-down narrative misses a more important culprit—with critical consequences for the energy transition. Climate of Contempt offers a voter-centric, bottom-up explanation of national climate and energy politics, one that pinpoints bitter partisanship as the key impediment to transitioning to a net zero carbon future. Members of Congress res...
In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the "Tristia" and "Epistulae ex Ponto" and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the "Tristia" and "Epistulae ex Ponto" as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
"Was Ibsen influenced by Greek culture? Were allusions to the Greeks configured in the Norwegian playwright's works? According to author Norman Rhodes, whether consciously or unconsciously, many of Ibsen's plays are encoded with veiled references to ancient Greek culture. Rhodes also postulates that Ibsen's perception of the importance of the Greeks was most likely mediated to him through German Romanticism and Scandinavian culture." "According to Rhodes, numerous echoes of Greek literature resonate in such early Ibsen plays as Catiline, The Warrior's Barrow, Olaf Liljerkrans, and Love's Comedy. Ibsen's Brand and Peer Gynt are a dialectic pair which in key ways are suggestive of Homer's Iliad and Odyssey, A Doll House has important parallels with Sophocles' Antigone, and An Enemy of the People correlates with both Plato's Apology and Sophocles' Oedipus Tyrannos. Moreover, a Euripidean sense of fatal irrationality seems inscribed in Ibsen's final plays: the protagonists John Rosmer, Hedda Gabler, Master Builder Solness, John Gabriel Borkman, and the sculptor Rubek all destroy themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Explores the theme that women are objectified as sexual and reproductive bodies by symbolic beheading in myths and by such practices as veiling, head coverings, and cosmetic highlighting. Shows how women's heads link them to speech, identity, and mind, all characteristics classically reserved for men, and how beheading women reduces them to mute and anonymous flesh. Most of the examples are drawn from Oriental, classical Greek and Roman, and early Christian contexts, but some modern cases are also examined. The seven essays were presented at a panel of the American Academy of Religion, date and place not noted. Annotation copyright by Book News, Inc., Portland, OR