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Continued Next Week
What you are about to read is a history of silent serials compiled from original sources, carefully researched, and documented from trade papers, press books, shooting scripts, advertising posters, actual films, and many other items of the silent movie era. Wherever there was a conflict in such sources, and there were many, I attempted to resolve the difference by resorting to information from people who were in the middle of things during those glorious days.
Glass, Brass, and Chrome
The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. In Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States. The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States.
The Fun Factory
From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
Petersen's Big Book of Auto Repair
Auto repair for American cars 1970 and later.
Moving Pictures and Classic Images
In 1962, Samuel K. Rubin founded 8mm Collector, the predecessor to Classic Images, a widely respected publication in the vintage film hobby that celebrates the golden age of Hollywood. He was instrumental in beginning the "vintage film fan movement," founding The Society for Cinephiles, as well as organizing the Cinecon vintage film conventions. This is simultaneously a history of the vintage film hobby, a history of Classic Images, and a memoir of Rubin's forty years in the center of the hobby's world. Rubin has drawn from his personal experiences with industry professionals from the silent and early sound era, and from his service during the more than 320 issues of Classic Images published since that magazine's inception. The book covers the birth of 8mm Collector and includes reviews of the classic films, reviews of books and videos of the early screen and profiles of classic film industry personalities. Classic Images still provides a medium for film enthusiasts to share their experiences with different vendors, buy and sell movie memorabilia, and generally covers the entire movie industry from the viewpoint of the collector.
Down from the Attic
Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.
Mack Sennett's Fun Factory
This is a comprehensive career study and filmography of Mack Sennett, cofounder of Keystone Studios, home of the Keystone Kops and other vehicles that showcased his innovative slapstick comedy. The filmography covers the more than 1,000 films Sennett produced, directed, wrote or appeared in between 1908 and 1955, including casts, credits, synopses, production and release dates, locations, cross-references of remade stories and gags, footage excerpted in compilations, identification of prints existing in archives, and other information. The book, featuring 280 photographs, also contains biographies of several hundred performers and technical personnel connected with Sennett.
Women Filmmakers in Early Hollywood
Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially...
Slapstick Comedy
From Chaplin's tramp to the Bathing Beauties slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy's place in film history and American culture.
