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The Paramarthasara, or ‘Essence of Ultimate Reality’, is a work of the Kashmirian polymath Abhinavagupta (tenth and eleventh centuries). It is a brief treatise in which the author outlines the doctrine of which he is a notable exponent, namely nondualistic Saivism, which he designates in his works as the Trika, or ‘Triad’ of three principles: Siva, Sakti and the embodied soul (nara). This book presents, along with a critically revised Sanskrit text, the first annotated English translation of both Abhinavagupta’s Paramarthasara and Yogaraja’s commentary.
Indian culture relies greatly on visual expression, and this book uses both classical Indian and contemporary Western philosophies and current studies on cognitive sciences, and applies them to contextualize Tantric visual culture. The work selects aspects of Tantric language and the practice of visualization, with the central premise to engage cognitive theories while studying images. It utilizes the contemporary theories of metaphor and cognitive blend, the theory of metonymy, and a holographic theory of epistemology with a focus on concept formation and its application to the study of myths and images. In addition, it applies the classical aesthetic theory of rasa to unravel the meaning o...
Providing a systematic and complete overview of the highest scholarly quality on Tantric mantras in Hinduism, this book presents a summary on the nature of Tantric mantras, their phonetic aspect, structure and classifications. Additionally, it explains the metaphysical-theological nature of Tantric mantras and gives an introduction to their beliefs and practices. In individual chapters, Andre Padoux discusses the extraction and examination of mantras, certain characteristics such as their "perfect nature" and their imperfections, and he describes certain mantrics practices. For the first time, Andre Padoux' work on Tantric mantras is made accessible to an English-speaking readership. This book will be of great interest to scholars of Religious Studies, Theology, Indology, South Asian Studies, and Asian Religion.
Love in the Time of Scholarship concerns the history of scholarly life in precolonial India, revealing the ways that popular religious movements from the wider world infiltrated and shaped scholarship produced in elite traditions of learning. Author Anand Venkatkrishnan shows how specific religious traditions, in their very local, regional incarnations, influenced scholarly work in unexpected ways.
A study of ‘AbhijñānaŚākuntalam’ has to situate the contexts in ancient through medieval Indian literature and scholarship before it comes to the colonial and the contemporary. In epistemological privileging, this text has become either a Hindoo play in the colonial, Hindu drama in the Hindutva and a love story in the Western theoretical paradigms of scholarship. The essays in ‘Memory, Metaphor and Mysticism in Kalidasa’s ‘AbhijñānaŚākuntalam’ attempt to restore contexts, especially philosophical contexts, for reading this play.
Using a commentary on the influential text, the Mañjuśrī-nāmasaṃgīti, ‘The Chanting of the Names of Mañjuśrī’, this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vilāsavajra, and the book contains a translation of the first five chapters. The translation is extensively annotated, and accompanied by introductions as well as a critical edition of the Sanskrit text based on eight Sanskrit manuscripts and two blockprint editions of the commentary’s Tibetan translation. The commentary interprets its root text within an elaborate framework of tantric v...
Hinduism cannot be understood without the Great Goddess and the goddess-orientated Śākta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Śākta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as ‘Śāktism’, and is often...
"Who was Vatsyayana? What motivated this intriguing personality in the third century to compile ancient erotic texts, replete with his witty aphorisms, into the Kama Sutra, the ultimate treatise on love and the art of lovemaking? Kama is a fictionalised account of the life and times of Vatsyayana. Seemingly, a manual for the hedonist about town, the Kama Sutra reveals another tale—written in blood—of broken hearts, lyrical violence, ageless love, and unbridled lust! Set in 273 AD, in a land fraught with war and unrest, Kama is the story of a catastrophic day in a writer-artist’s life that sets him off on a journey unto himself, beyond the boundaries of love, family and betrayal. This fast-paced story of tragedy and triumph beguiles and captivates as it flits seamlessly between an agonising past, an erotic present and a cataclysmic future."
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