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Canada's Game
Almost every Canadian can hum the original Hockey Night in Canada theme - even those who don't think of themselves as hockey fans. For more than a century, Canadians have seen something of themselves in the sport of hockey. Canada's Game explores the critical aspects of this relationship. Contributors address a broad range of themes in hockey, past and present, including spectacle and spectatorship, the multiple meanings of hockey in Canadian fiction, and the shaping influences of violence, anti-Americanism, and regional rivalry. From the Gardens to the Forum, from the 1936 Olympics to the 1972 Summit Series, from the imagined depictions in Canadian fiction to the fan's-eye view, Canada's Ga...
Marion
Mysteries of identity and the trials of working girls from the first published Asian North American novelist.
Holy Rebellion
"This scholarship operationalizes Cover's notion of "nomos and narrative" and develops tools to analyze shifting entanglements between religion, gender, and law. The authors propose a "narrative ripeness test" to assess how and when change processes within a minority cultural community may be affected - accelerated or hindered - by state intervention"--
The Converso's Return
Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can...
The Oxford History of the Novel in English
The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of t...
Writing the Black Decade
Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.
Borders and Belonging: A Memoir
In this gripping and honest memoir, Mira Sucharov shows what a search for political and emotional home looks like. Sucharov suffered from childhood phobias triggered by her parents’ divorce, and she sought emotional refuge in Jewish summer camp. But three years spent living in Israel in her twenties shook her to her core. Ultimately, encounters with colleagues, students, friends and lovers force her to confront what it means to be able to write, advocate and teach about Israel/Palestine in a way that balances affirmation with authenticity.
Jewish Bodylore
Jewish Bodylore: Feminist and Queer Ethnographies of Folk Practices explores the Jewish body and its symbology as a space for identity communication, applying the tools of bodylore (the folkloric study of the body) to the Jewish body in ways that are in line both with feminist and queer theory. The text centers a feminist folkloric approach to embodiment while simultaneously recognizing its overlaps with the study of Jewish bodies and symbols. It investigates Jewish embodiment with a keen eye to that which breaks from tradition. Consideration is given to the ways in which bodies intersect with time and space in the synagogue, within religious movements, in secular culture, and in childhood r...
Warriors, Witches, Whores
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Wes...
Matrilineal Dissent
Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women's writing and acknowledge women as dominant players in Jewish cultural production?
