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Detailed examination of the evidence linking the authorship of the Equatorie of the Planetis with Chaucer. The Equatorie of the Planetis, a Middle English text on the construction and use of a planetary equatorium, was composed in 1393. The unique manuscript, which appears to be the author's original, belongs to Peterhouse, Cambridge. In 1952 it was brought to general attention by Derek Price who argued that the text was written by Geoffrey Chaucer. Whether the Equatorie is indeed Chaucer's has remained controversial ever since. Dr Rand Schmidt's book offers a detailed examination of the literary, linguistic and codicological evidence linking the authorship of the Equatorie with Chaucer. She...
Fifty-five catalogued manuscripts include major religious works and medical writing - on uroscopy, surgery, bloodletting and pestilence.
The Wife of Bath's Prologue on CD-ROM is the initial release in The Canterbury Tales on CD-ROM from Cambridge. The disk presents transcriptions, collations and digitized images of all 58 pre-1500 manuscript and print versions of Geoffrey Chaucer's famous poem - an important section of The Canterbury Tales. We provide on a single disk the material which Chaucer scholars have until now had to travel around the world to view in different libraries. The software allows sophisticated searches of all the witnesses of The Wife of Bath's Prologue simultaneously, giving scholars rapid access to a large archive of information of a kind never before realised.
A close examination of the prayers in Chaucer's poetry sheds significant new light on his poetic practice.In a culture as steeped in communal, scripted acts of prayer as Chaucer's England, a written prayer asks not only to be read, but to be inhabited: its "I" marks a space that readers are invited to occupy. This book examines the implications of accepting that invitation when reading Chaucer's poetry. Both in his often-overlooked pious writings and in his ambitious, innovative pagan narratives, the "I" of prayer provides readers with a subject-position thatcan be at once devotional and literary - a stance before a deity and a stance in relation to a poem. Chaucer uses this uniquely open, p...
The Library of Trinity College, Cambridge, contains the largest collection of medieval manuscripts of any college in Great Britain, and one of the most important collections in the world. The subjects contained therein cover the whole range of topics usual to medieval manuscripts, with the single bias being that the majority were produced in Britain. Particularly noteworthy are Wycliffite translations of the Bible, sermons, and Wycliffite tracts; three manuscripts containing Nicholas Love's 'Mirror of the Blessed Lif of Ihesu Crist'; and major collections of devotional texts. Trinity is also rich in medieval scientific manuscripts, many of which came through Roger Gale's interest in this fie...
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
Close study of Chaucer's most important works shows how he used gender issues to extend the range of romance. The paradox of romance as a genre is that it contains multiple possibilities, yet remains profoundly constrained by its own terms and conventions. Through a close reading of several of Chaucer's most important works, Dr Weisl examines Chaucer's use of gender issues to explore and challenge this genre. She argues that Chaucer's complex treatment of the romance, following both continental and Middle English traditions, experiments with and tests romance conventions. Each chapter looks indetail at one or more of Chaucer's works, examining their different approaches to the problems of ge...
Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.
In these new essays leading European and North American scholars of medieval medicine focus on manuscripts and their transmission and demonstrate how medievalists in all disciplines can profit by studying the primary medical sources rather than relying on the secondary literature. It is only through the study of actual medical manuscripts that context and audience can be discussed adequately. The lead essay by Bernard Schnell, Prolegomena to a History of Medieval German Medical Literature: The Twelfth Century, clarifies methodological principles for this literary sociology and examines the current state of research in the study of manuscript transmission. The remaining essays discuss either manuscripts by a single author or paradigmatic manuscripts within a single national tradition. Until all the basic sources in medieval texts are uncovered and a survey is made, this volume will stand as an overview of the field.