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The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
Emblems and the Natural World
Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.
Jesuit Image Theory
The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order’s defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and po...
The Figure of the Nymph in Early Modern Culture
Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.
The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture
The early modern period is a particularly fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history.
Foundations of Modern International Thought
Between the early seventeenth and mid-nineteenth centuries, major European political thinkers first began to look outside their national borders and envisage a world of competitive, equal sovereign states inhabiting an international sphere that ultimately encompassed the whole globe. In this insightful and wide-ranging work, David Armitage – one of the world's leading historians of political thought – traces the genesis of this international turn in intellectual history. Foundations of Modern International Thought combines important methodological essays, which consider the genealogy of globalisation and the parallel histories of empires and oceans, with fresh considerations of leading figures such as Hobbes, Locke, Burke and Bentham in the history of international thought. The culmination of more than a decade's reflection and research on these issues, this book restores the often overlooked international dimensions to intellectual history and recovers the intellectual dimensions of international history.
Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period
The printed book, the most important invention of the early modern period, brought about not only an explosion of knowledge, but also major changes in the perception of texts. This volume investigates the methods by which knowledge was presented to the early modern reader and the organisation of material that guided his cognition of them. It focuses not merely on book-historical questions, but on the intersection of layout and paratexts with issues of genre, content and intended function of texts. A team of experts in various disciplines, English, French, German, Neo-Latin, philosophy, art history, the history of science and book history, makes a first effort to understanding this fascinating topic. Contributors include: Maximilian Bergengruen, Manuel Braun, Kai Bremer, Karl A.E. Enenkel, Romy Günthart, Detlef Haberland, Frans A. Janssen, Jörg Jungmayr, Ursula Kocher, Robert Luff, Ann Moss, Wolfgang Neuber, Matthijs van Otegem, Hilmar M. Pabel, Thomas Rahn, Paul J. Smith, Dietmar Till, Ian F. Verstegen, and Claus Zittel.
The Manipulative Mode
This book deals with political propoganda in classical antiquity, exploring the contexts, strategies, and parameters of a fascinating phenomenon that has often been approached with anachronistic models (such as the centrally organized 'propaganda machines' of the 20th-century totalitarian regimes) or completely ignored. It offers case studies on the archaic period, classical Athens, the Hellenistic kingdoms, the Augustan age and the late Roman empire, and emphasizes concepts such as interaction, integration, and horizontal orientation.
Portuguese Humanism and the Republic of Letters
This volume focuses on the interdisciplinary investigation of Portuguese humanism, especially as a noteworthy player in the international network of early modern scholarship, literature and visual arts.
Latin American Collection Concepts
Though still hampered by some challenging obstacles, Latin American collection development is not the static, tradition-bound field many believe it to be. Latin American studies librarians have confronted these difficulties head-on and developed strategies to adapt to the field's continuous digital advancements. Presenting perspectives from several independent Latin American libraries, this collection of new essays covers the history of collecting, current strategies in collection development, collaborative collection development, buying trips, and future trends and new technologies.
