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Medieval Ornament
The decorative arts of the Middle Ages — richly ornate, filled with religious and mythic symbolism — were especially remarkable for the complexities of their design and their inspired craftsmanship. This fascinating volume presents nearly 1,000 illustrations of medieval ornament, consisting mostly of architectural elements from German Romanesque and Gothic churches and other buildings. Originally compiled by the German architect, painter, and engraver Karl Alexander von Heldeloff (1788–1865) as a source of study and inspiration for practicing artists and architects, this grand pictorial archive has been exactingly reproduced from a rare original edition, complete with new English translations of the German captions. The book is filled with precisely detailed engravings of doors, windows, decorative stonework, columns, pedestals, and more. It remains a richly varied resource of authentic images of medieval ornament, ideal for students of architecture and the decorative arts and essential for graphic artists and designers in search of royalty-free illustrations.
Medieval Ornament and Design
This lavish archive of exquisite engravings and designs--originally created in the mid-nineteenth century for the professional artist and architect--contains some 200 splendid illustrations, expertly adapted from decorative as well as utilitarian features of medieval cathedrals, churches, tombs, houses, shops, public buildings, and other structures. Encompassing a wide variety of styles, the designs include finely detailed panels, gawking gargoyles, marvelously carved pillars and pedestals, exquisite ironwork patterns, decorative stonework, magnificent stained glass windows, moldings enhanced with intricately woven motifs, and much more. Artists, designers, and craftworkers will find wide use for these versatile, royalty-free illustrations. Students of architecture, art historians, and lovers of ornamental art will delight in the pure beauty of this magnificent collection.
Riemenschneider in Rothenburg
The concept of the medieval city is fixed in the modern imagination, conjuring visions of fortified walls, towering churches, and winding streets. In Riemenschneider in Rothenburg, Katherine M. Boivin investigates how medieval urban planning and artistic programming worked together to form dynamic environments, demonstrating the agency of objects, styles, and spaces in mapping the late medieval city. Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals. She argues that the numerous artistic pieces commissioned by...
Dictionary of German Biography (DGB).
No detailed description available for "Plett - Schmidseder".
A Checklist of Painters, C1200-1994 Represented in the Witt Library, Courtauld Institute of Art, London
The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.
Style in the Technical and Tectonic Arts, Or, Practical Aesthetics
The enduring influence of the architect Gottfried Semper (1803-1879) derives primarily from his monumental theoretical foray Der Stil in der technischen und tektonischen Künsten (1860-62), here translated into English for the first time. A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance.
Sturgis' Illustrated Dictionary of Architecture and Building
Volume 2 of monumental 3-volume classic offers comprehensive and detailed coverage of architectural terms, individuals and national styles. Total in set: over 100 photographs and more than 1000 illustrations. Bibliography.
