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Foreign Affairs
When a young Canadian diplomat is charged with a murder abroad, Ottawa lawyer Peter Verdun is convinced there is more to the case than meets the eye. Then the beautiful reporter covering the trial connects the victim to organized crime in Montreal, and suddenly Peter's client isn't the only one whose life is on the line...
The Violin
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Different Accounts
Karl Tycho, a divorced, low-keyed economist in his 50's, is employed by a commercial bank in Manhattan, and finds it hard to adjust to the competitive nature of his new assignment. When he loses an important account, he is promptly fired. Just how he lost his most important customer, however, is a mystery; and the story behind it is one of financial deal-making, broken friendships, and conflicting personalities. Among them are Laura, the blunt boss who fires Karl without remorse; Roy, the wealthy and eccentric client whose money means everything to Karl's department at the bank; and Tim, the archetypal aggressive Wall Street executive. And many others. There are also Karl's conflicting love interests interwoven in the plot: Harriet, a musician who knows nothing about the stock market, and who gets Karl's attention; and Sarah, a witty ex-academician, about whom he has reservations. Look at Wall Street through the eyes of an economist, who struggles to maintain his identity in a world obsessed with competition and money making, in Different Accounts.
Nordic Landscape Painting in the Nineteenth Century
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Scottish Modernism and its Contexts 1918-1959
This innovative book proposes the expansion of the existing idea of an interwar Scottish Renaissance movement to include its international significance as a Scottish literary modernism interacting with the intellectual and artistic ideas of European modernism as well as responding to the challenges of the Scottish cultural and political context. Topics range from the revitalisation of the Scots vernacular as an avant-garde literary language in the 1920s and the interaction of literature and politics in the 1930s to the fictional re-imagining of the Highlands, the response of women writers to a changing modern world and the manifestations of a late modernism in the 1940s and 1950s. Writers featured include Hugh MacDiarmid, Lewis Grassic Gibbon, Neil M. Gunn, Edwin and Willa Muir, Catherine Carswell, Sydney Goodsir Smith and Sorley MacLean.
Overblown
Why have there been no terrorist attacks in the United States since 9/11? It is ridiculously easy for a single person with a bomb-filled backpack, or a single explosives-laden automobile, to launch an attack. So why hasn't it happened? The answer is surely not the Department of Homeland Security, which cannot stop terrorists from entering the country, legally or otherwise. It is surely not the Iraq war, which has stoked the hatred of Muslim extremists around the world and wasted many thousands of lives. Terrorist attacks have been regular events for many years -- usually killing handfuls of people, occasionally more than that. Is it possible that there is a simple explanation for the peacefu...
Making Waves
“Beyond brandishing Cinemalaya’s accomplishments, this book is also a tribute to the Filipino indie filmmaker who is at the core of our raison d’être. The success of Cinemalaya is undoubtedly due to the 165 filmmakers who for the past ten editions of the competition and festival produced quality films that have broken the boundaries of filmmaking in the country.” — Nestor O. Jardin, President Cinemalaya Foundation, Inc.
Hollywood Flatlands
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.
