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Troy: one of the most captivating and mysterious stories of antiquity... But was Troy an actual place or just a legend of Homer's epic? It took the most unlikely of people, Heinrich Schliemann--a grocer's-apprentice turned self-made archaeologist, courageous and driven--to solve one of the greatest puzzles in history. His extraordinary discovery of the ruins of fabled Troy and the magnificent treasure of King Priam anointed Schliemann as the 'father of pre-history', but was also beset by controversy that persists to this day. The fate of the treasure itself is no less troubled. In 1945 it was spirited out of Berlin by the Red Army, to be hidden for 50 years in the vaults of the Pushkin Museum until the breakup of the Soviet Union. In this fast-paced account, Caroline Moorehead describes one of the most remarkable adventures of the 20th century, tracing Schliemann's footsteps to Troy and the convoluted journey across Europe taken by the treasure itself. This edition features a new Preface by [Moorehead].
This book describes the life of the famous archaeologist and shrewd trader Heinrich Schliemann (1822-1890) from a Dutch perspective since his commercial succes started in the Netherlands. We see how two myths meet: the myth of the ancient city Troy and the the myth of the poor boy that was determined to find the remains of this legendary city. Dutch text.
The American artist Barnett Newman (1905-1970) was a prominent Abstract Expressionist. The Kunstmuseums Basel's Kupferstichkabinett (prints department) owns Newman's entire oeuvre of prints. As of 2014, it also owns his important drawings.The colour drawings from 1944/45 are surprising in their playfulness. The ensuing drawings in black ink and brush paved the way for the second phase of drawings from 1959/60.Questions about series and proportion are dealt with in the prints, which Newman began making in 1961. This is the first publication to provide an overview of the artist's entire oeuvre of prints.English text.
One of the enduring mysteries of the last century is the astounding 1873 discovery by the first modern archaeological, Heinrich Schliemann, of the lost gold of Priam, king of ancient Troy. In this book, journalist and biographer Caroline Moorehead explores Schliemann's extraordinary life and tells how he contrived to smuggle part of the treasure from his dig in Asia Minor to his government in Berlin. of photos.
"One of the enduring stories of the last century is the astounding 1873 discovery by the first modern archaeologist, Heinrich Schliemann, of the lost gold of Priam, king of ancient Troy. With the biographical skill that drew such praise for her book Bertrand Russell, Caroline Moorehead explores Schliemann's extraordinary life and how he contrived to smuggle the nine thousand gold chains, elaborate silver pictures, gold coins, and other amazing artifacts from his dig in Asia Minor to his government in Berlin." "Schliemann's treasures of Troy, lost when pillaged by the Nazis during World War II, received front-page coverage in 1993 when they were revealed to be residing in Moscow, having been looted in 1945 by the Russians. Here is the account, thrilling to historians, Russia-watchers, and anyone intrigued by an investigation, of how Moorehead found her way past bureaucratic defenses to learn the whereabouts of and the truth about this legendary collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In the summer of 2008, the twelfth in a series of biennial conferences on the Literature of Region and Nation was held at Aberdeen University in the North-East of Scotland. Over fifty scholars, representing no fewer than twenty different countries, convened for the occasion; and twenty-two of the papers presented are included in this volume. As at previous conferences in the series, the papers range widely in approach, in subject-matter and in geographical coverage: readers of this book will find explorations of literature from all five continents. The papers are arranged thematically: the central concepts of region and nation are examined in the first section; and subsequent sets of papers go on to consider literary and pictorial representations of places and peoples, literature of diaspora and exile (a keynote topic of the conference), the use of language (particularly non-standard languages) in literary texts, and artistic interactions between cultures. All the papers have been peer-reviewed, and some extensively revised. The collection demonstrates the vitality of scholarship in the field of regional literary studies.