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Kasmin's Sixties
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David Hockney
David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Fre...
David Hockney
Critical analysis of the key developments in Hockney's work over the past 30 years.
Wreck
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Want
Want presents 100 postcards of beggars belonging to the legendary art dealer John Kasmin. A pivotal figure in postwar British culture whose gallery showed the likes of Frank Stella and David Hockney, Kasmin has built a collection of predominantly nineteenth-century postcards to rival the impressive holdings of such collectors as Anthony d'Offay and Tom Phillips. Beggars are one of the most evocative of the many subjects that feature in Kasmin's eclectic collection, and the selection of photographic postcards in this book reflects the arresting imagery and engaging - although often disturbing - social narratives that first attracted him to the mendicant motif. In a series of short commentaries Kasmin articulates that attraction, going behind each of the postcards to establish their origins and describe their appeal.
Scrub
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London's New Scene
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
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