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Lotteries, Art Markets, and Visual Culture in the Low Countries, 15th-17th Centuries
Lotteries, Art Markets, and Visual Culture examines lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts.
Politics as Painting
Apart from a handful of art historians no one has ever heard of the Brussels painter Hendrick De Clerck (1560-1630). Nevertheless, De Clerck was a contemporary of Peter Paul Rubens, the latter having gone down in history as an artistic trailblazer and painting powerhouse, while Hendrick De Clerck has quietly faded into oblivion. Yet the subtly coded, vibrantly coloured pictures that De Clerck painted for Archduke Albert of Austria and his wife Isabella are political propaganda of the highest order. In creating a mode of archducal representation that could help to gain an empire, the sky is quite literally the limit. De Clerck represents Isabella as wise Minerva, chaste Diana, the Virgin Mary...
From Memling to Rubens
One hundred breathtaking masterpieces from the collection of The Phoebus Foundation, by Hans Memling, Quinten Metsys, Peter Paul Rubens and Antoon Van Dyck, will take the reader through a world full of foolishness and sin, fascination and ambition. They tell about rich citizens and poor saints, about artists and wine cellars, and about Antwerp as Hollywood on the Scheldt.0This book is a compelling story about the image and its meaning, and about the bond between culture and society. Because above all this is about us and who we are today - as people.00Exhibition: Kadriorg Art Museum, Tallinn, Estonia (11.04.-13.09.2020) / followed by MAS, Antwerp, Belgium.
14/18 – Rupture or Continuity
The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.
Coming Home
* An overview of Flemish art created between 1880-1930* Including works by James Ensor, Constant Permeke and George Minne* With texts by Katharina Van Cauteren, David Gariff, Paul Huvenne, Anne Adriaens-Pannier, Peter Pauwels, Herwig Todts, Piet Boyens et al This beautifully illustrated book explores the artistic roots of Flemish identity during the last decades of the 19th century and the first decades of the 20th century. Through art, essays, poems, and reflections by artists, academics and collectors, it revives the cultural context of the Flemish Belle Eqoque. Featured here are works by Emile Claus, Valerius De Saedeleer, George Minne and Gustave Van de Woestyne, James Ensor, Rik Wouters and Léon Spilliaert, Constant Permeke, Gust De Smedt, Frits Van den Berghe and Edgard Tytgat.
Infectious Disease Surveillance
This fully updated edition of Infectious Disease Surveillance is for frontline public health practitioners, epidemiologists, and clinical microbiologists who are engaged in communicable disease control. It is also a foundational text for trainees in public health, applied epidemiology, postgraduate medicine and nursing programs. The second edition portrays both the conceptual framework and practical aspects of infectious disease surveillance. It is a comprehensive resource designed to improve the tracking of infectious diseases and to serve as a starting point in the development of new surveillance systems. Infectious Disease Surveillance includes over 45 chapters from over 100 contributors,...
Crazy about Dymphna
In the early sixteenth century, the popularity of Saint Dimpna made the abbot of the abbey of Tongerlo decide to have a huge altarpiece that would depict the life story of this special saint. The assignment came into the hands of the Antwerp painter Goossen Van der Weyden, grandson of Flemish Primitive Rogier, who took over many elements from his grandfather in his eclectic style.0The result of this assignment, the monumental Dimpna altarpiece, was recently acquired by The Phoebus Foundation. The panels were treated in the Foundation's restoration studio for three years. The astonishing result led to new insights into the history of the altarpiece, its maker and commissioner, and about the cult of Saint Dimpna. Leading specialists shed their light on the altarpiece and their years of research are now bundled in this luxurious, richly illustrated publication.00Exhibition: Sint-Dimpnakerk, Geel, Belgium (27.03.-07.06.2020) / Art Museum of Estonia - Niguliste Museum, Tallinn, Estonia (20.06. ? 04.10.2020 ).
