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"Each of these spare and elegant tales rings like a bell in your head. memorable, original, and not much like anything you've read."—Karen Joy Fowler “A strange and enchanting book, written in crisp, winning sentences; each story begs to be read aloud and savored.”—Aimee Bender "Horse, Flower, Bird rests uneasily between the intersection of fantasy and reality, dreaming and wakefulness, and the sacred and profane. Like a series of beautiful but troubling dreams, this book will linger long in the memory. Kate Bernheimer is reinventing the fairy tale."—Peter Buck, R.E.M. In Kate Bernheimer's familiar and spare—yet wondrous—world, an exotic dancer builds her own cage, a wife tends...
The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and in...
Breaks new ground in fairy-tale studies by offering male writers a chance to reflect on their relationships to fairy tales.
Elegant and brutal, the stories in Kate Bernheimer's latest collection occupy a heightened landscape, where the familiar cedes to the grotesque and nonsense just as often devolves into terror. These are fairy tales out of time, renewing classic stories we think we know, like one of Bernheimer's girls, whose hands of steel turn to flowers, leaving her beautiful but alone. Kate Bernheimer is the author of the short story collection Horse, Flower, Bird and the editor of My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales and the journal Fairy Tale Review.
New edition (revised and expanded) available 8/13/02. Fairy tales are one of the most enduring forms of literature, their plots retold and characters reimagined for centuries. In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales. Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling.
Fairy Tale Architecture is a ground-breaking book, the first study to bring architects in conversation with fairy tales in breathtaking designs. Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer--a brother and sister team as in an old fairy tale--have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Pa...
When a wonderful new book arrives at the library, at first it is loved by all, checked out constantly, and rarely spends a night on the library shelf. But over time it grows old and worn, and the children lose interest in its story. The book is sent to the library's basement where the other faded books live. How it eventually finds an honored place on a little girl's bookshelf—and in her heart—makes for an unforgettable story sure to enchant anyone who has ever cherished a book. Kate Bernheimer and Chris Sheban have teamed up to create a picture book that promises to be loved every bit as much as the lonely book itself.
Once there was a girl who lived in a castle. The castle was inside a museum. When children visited, they’d press against the glass globe in which the castle sat, to glimpse the tiny girl. But when they went home, the girl was lonely. Then one day, she had an idea! What if you hung a picture of yourself inside the castle inside the museum, inside this book? Then you’d able to keep the girl company. Reminiscent of “The Lady of Shalot,” here is an original fairy tale that feels like a dream—haunting, beautiful, and completely unforgettable.
This hilarious, over-the-top story is perfect for any little girl who doesn't like to brush her hair. What happens when our heroine neglects her long tresses? Well, one day a mouse comes to live in a particularly tangled lock. Soon after, more mice move in, and the girl's unruly mop is transformed into a marvelous mouse palace complete with secret passageways and a cheese cellar! But as the girl comes to find out, living with more than a hundred mice atop your head isn't always easy. . . . "This tale will send kids the message that they must take care of their tresses." —Booklist "There are parents who will weep with joy at the prospect of a book that may encourage little Susie or Sam to finally brush that mane." —The Bulletin
As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods. Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.” This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.