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Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 196...
The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages.
This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.
Explore a diversity of feminist readings of the Bible This latest volume in the Bible and Women series is concerned with documenting, through word and image, both well-known and largely unknown women and their relationship to the Bible from the period of the late eighteenth century up to the beginning of the twentieth century. The essays in this collection illustrate the broad range of treatment of the Holy Scripture. Paul Chilcote, Marion Ann Taylor, Christiana de Groot, Elizabeth M. Davis, and Pamela S. Nadell offer perspectives on the Anglo-American sphere during this period. Marina Cacchi, Adriano Valerio, Inmaculada Blasco Herranz, and Alexei Klutschewski and Eva Maria Synek illuminate ...
The mood of systemic crisis that has marked the early 21st century has been accompanied by an upsurge in Marxist thought in a whole range of domains and extends to art history. In this volume 19 scholars from different generations, different national contexts and with different relationships to Marxism reflect on the status of 18 "keywords" with special pertinence to Marxist art-historical inquiry today. Starting point of the researches was the knowledge that while certain keywords have been crucial to recent developments in Marxist art history and cultural theory more broadly, others seem to have slipped out of view. The scholars are not so much interested in the "historical semantics" of words – although that plays some role in the essays – as in the present state of Marxist art history.
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Klaus Garber hat sich während seines Forscherlebens mit der europäischen Arkadien-Utopie befaßt. Im Laufe der Jahrzehnte sind dafür eine Reihe von grundlegenden historiographischen und kulturphilosophischen Studien entstanden. Sie blieben bislang unpubliziert und werden hier erstmals in aktualisierter Form vorgelegt. Damit bietet der Band einen gewichtigen Beitrag zu den aktuellen kulturgeschichtlichen Diskussionen der verschiedenen historisch orientierten Disziplinen und reintegriert darin die bleibenden Anteile einer sozialgeschichtlichen Forschung, die ebenso unverzichtbar für die aktuelle Forschung sind. Eröffnet wird das Werk mit einer historiographischen Studie zum Absolutismus, ...