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Landscape between Ideology and the Aesthetic
At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.
Artists on the Left
Examination of the relation between visual artists and the American communist movement in the first half of the twentieth century, from the rise in prestige of the party during the Great Depression to its decline in the 1950s. Account of how left-wing artists responded to the party's various policy shifts: the communist party exerted a powerful force in American culture.
Hemingway's Brain
A forensic psychiatrist’s second opinion on the conditions that led to Ernest Hemingway’s suicide, “mixing biography, literature and medical analysis” (The Washington Post). Hemingway’s Brain is an innovative biography and the first forensic psychiatric examination of Nobel Prize–winning author Ernest Hemingway. After seventeen years researching Hemingway’s life and medical history, Andrew Farah, a forensic psychiatrist, has concluded that the writer’s diagnoses were incorrect. Contrary to the commonly accepted diagnoses of bipolar disorder and alcoholism, he provides a comprehensive explanation of the medical conditions that led to Hemingway’s suicide. Hemingway received s...
Can We Zoom into God?
When Zoom worship emerged in Britain during the COVID lockdown of 2020, Christians quickly turned to an art form, a form of theater, to deliver their worship. It was a quest for immanence, the very thing the Reformation dealt with by the elevation of transcendence. What an intriguing thought: Could John Calvin with his dictum regarding piety have practiced Zoom worship? Served as he was with the principle that the finite cannot contain the infinite, we must admit it looks very unlikely! At least in this Calvin saw eye-to-eye with Erasmus, but what of Luther? He may have been a comfortable Zoom worshiper, with his views that "Religious artworks are neither here nor there" and "We may have the...
Art as Worldmaking
This collection is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading art historians explore Pott's recasting of realism, providing a new understanding of artworks dating from the eighth to twenty-first centuries and challenging established thinking on art's relation to the everyday.
New Critical Approaches to the Short Stories of Ernest Hemingway
With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of ...
Mythbusting Hemingway
Did Ernest Hemingway kill 122 Nazis during World War II? Did he really fight champion Gene Tunney? Did he have very particular thoughts about hair? Mythbusting Hemingway answers these longstanding questions and more. It’s fitting treatment for an author who won both the Pulitzer and Nobel prizes, survived back-to back plane crashes, and played the cello. He really was “The Most Interesting Man in the World,” who once shot himself in the leg (while hunting sharks), and brawled with Orson Welles. In this book, Hemingway legends—both true and debunked—are informed by detective work the authors did for the Paris Review, Chicago Tribune, and Huffington Post. For this volume, the authors conducted fresh interviews and scholarship that shed new light on the man, his work, and legacy. The authors have also unearthed an original essay--never before published in a book--from Frances Elizabeth Coates, Hemingway's high school crush and classmate, about growing up in Oak Park with the young man who would become the legend.
Ernesto
From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of “Papa’s” life in Cuba Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted...
After Taste. Critique of insufficient reason
After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider r...
The True Story Book
The conception of " The True Story Book " by Mr. Andrew Lang, was an admirable one, for no more fascinating stories of adventure could possibly be devised than some which have been enacted in this work-a-day world. This volume takes the place of Mr. Lang's annual fairy book, and relates strange episodes from the lives of Prince Charlie, Grace Darling, Benvenuto Cellini, Cervantes, Baron Trenck, Cesare Borgia, Cortes, and many another scapegrace and hero. This book is fully illustrated and annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.
