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Is it possible to relive the best time of your life? As they approach their 30s, Alice and Julie decide to throw caution to the wind; coming back to Cornwall where they spent a long, happy summer ten years before. Alice harbours hopes of finding Sam, the love of her life, while Julie is determined to enjoy the freedom she's been missing.
Christmas is coming, and the goose is not the only thing feeling a little heavier than it used to be. Alongside the countdown to the festivities, and one of the busiest times of the year, Alice is now well into her second pregnancy, and ticking off the days until she can finally stop work for a little while, and prepare to welcome her baby into the world. While two-year-old Ben is dreaming of a white Christmas, Alice is floored by the news from her midwife that she is not as well as she might be. Her nerves are set further on edge by a trip to a hidden cove with Lizzie, where she learns the story of a young woman whose baby was lost at sea, and whose ghost is now said to haunt the sands. Wit...
With their wedding on hold and rented house sold to new owners, Sam and Alice are all at sea - moving in with Julie and Luke, along with toddler Ben and new dog Meg, until they find a place of their own. Sam struggles to adjust to the changes - particularly as teenage daughter Sophie has moved away - and compensates by throwing himself into his work and lifeboat training. Alice finds herself missing him; even when he's at home, he is clearly not happy. This is only exacerbated by the problems between Sam's sister Janie and Alice's chef Jonathan, whose relationship appears to be in trouble. Add to this the untimely appearance of a significant ex, the advent of a new hotel (which threatens direct competition for Amethi), and a frightening accident one dark, rainy night... Alice should know by now that nothing is straightforward - but at least there's never time to get bored.
Separately they were formidable—together they were unstoppable. Despite their intriguing lives and the deep impact they had on their community and region, the story of Richard Joshua Reynolds (1850–1918) and Katharine Smith Reynolds (1880–1924) has never been fully told. Now Michele Gillespie provides a sweeping account of how R. J. and Katharine succeeded in realizing their American dreams. From relatively modest beginnings, R. J. launched the R. J. Reynolds Tobacco Company, which would eventually develop two hugely profitable products, Prince Albert pipe tobacco and Camel cigarettes. His marriage in 1905 to Katharine Smith, a dynamic woman thirty years his junior, marked the beginnin...
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Put...
A playful, form-bending novel from the Booker Prize-shortlisted, Women's Prize-winning author of How to be both and the critically acclaimed Seasonal quartet 'Playful and audacious' Independent Narrated by a character who is haunted - literally - by a former lover, Artful slips slyly between fiction and essay, guiding the reader thrillingly through a sequence of ideas on art and literature. With Smith's trademark humour, inventiveness, poignancy and critical insight, this is unique experiment in form, style, life, love, death, immortality and what art can mean. Based on four electrifying lectures given by the author at Oxford University, and exploring the explosive connections between art, story, memory and grief - Artful is a tidal wave of ideas to blast away the cobwebs and change how you see the world. ***** 'Artful is a revelation; a new kind of book altogether . . . makes you glad to be alive' Jackie Kay 'Powerful and moving' London Review of Books 'Blending of criticism and fiction, Artful belongs in a genre of its own . . . Joyful for anyone interested in the art of writing, and living, well' Anita Sethi, New Statesman
What dark secrets could a harmless old lady possibly know? Elise Morgan is nearly ninety years old. She loves her family, the sea, and night-time walks. She hates gossip, and bullies, and being called 'sweet', or treated like she's stupid, or boring (and sometimes like she's deaf), just because she has lived a long time. Elise was sent to an all-girls' school, which was evacuated to Cornwall in the Second World War. She never left the county. She is an orphan, a mother, a grandmother, and a widow. Since her children moved away and her best friend died, life has seemed increasingly empty. These days, she spends a lot of time sitting at her window, looking out at the world, as if nothing ever happens, and nothing ever has. To passers-by, she might seem just an old lady, but of course there is no such thing. There was once a time when she lived a lot... and there are things she has never forgotten... Elise is the first book in the Connections series: a group of stories whose protagonists' lives are inescapably interwoven, in the Cornish town they call home.
From the astonishingly talented writer of The Accidental and Hotel World comes Ali Smiths brilliant retelling of Ovids gender-bending myth of Iphis and Ianthe, as seen through the eyes of two Scottish sisters. Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. Funny, fresh, poetic, and political, Girl Meets Boy is a myth of metamorphosis for a world made in Madison Avenues image, and the funniest addition to the Myths series from Canongate since Margaret Atwoods The Penelopiad.
Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh’s mother. This is her story.
Freya has an appetite as fine as can be - until one day she declares, "Your dhal and rice are just not nice." She spurns baked beans, sausages, and soon she's very thin indeed. Mum, in despair, phones Grandma Clare. "We'll sort her," says Grandma, "the fussy little beast." So off Freya goes for a fabulous feast - and a lesson she will never forget.