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The Ambivalent Art of Katherine Anne Porter
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conse...
Annual Report
37th report, 1889, has atlas of plates (35 cm.) illustrating new building.
Social Register
None
Creating Consumers
Home economics emerged at the turn of the twentieth century as a movement to train women to be more efficient household managers. At the same moment, American families began to consume many more goods and services than they produced. To guide women in this transition, professional home economists had two major goals: to teach women to assume their new roles as modern consumers and to communicate homemakers' needs to manufacturers and political leaders. Carolyn M. Goldstein charts the development of the profession from its origins as an educational movement to its identity as a source of consumer expertise in the interwar period to its virtual disappearance by the 1970s. Working for both business and government, home economists walked a fine line between educating and representing consumers while they shaped cultural expectations about consumer goods as well as the goods themselves. Goldstein looks beyond 1970s feminist scholarship that dismissed home economics for its emphasis on domesticity to reveal the movement's complexities, including the extent of its public impact and debates about home economists' relationship to the commercial marketplace.
Katherine Anne Porter and Mexico
In 1920, an unknown journalist named Katherine Anne Porter first sojourned in Mexico. When she left her "familiar country" for the last time in 1931, she was the celebrated author of Flowering Judas and Other Stories and had accumulated a wealth of experiences and impressions that would inspire numerous short stories, essays, and reviews, as well as the opening section of her only novel, Ship of Fools. In this perceptive study of Porter's Mexican experiences, Thomas Walsh traces the important connections between those events and her literary works. Separating fact from the fictions that Porter constantly created about her life, he follows the active role that she played in Mexican political ...
California Women and Politics
In 1911 as progressivism moved toward its zenith, the state of California granted women the right to vote. However, women?s political involvement in California?s public life did not begin with suffrage, nor did it end there. ø Across the state, women had been deeply involved in politics long before suffrage, and?although their tactics and objectives changed?they remained deeply involved thereafter. California Women and Politics examines the wide array of women?s public activism from the 1850s to 1929?including the temperance movement, moral reform, conservation,øtrade unionism, settlement work, philanthropy, wartime volunteerism, and more?and reveals unexpected contours to women?s politics in California. The contributors consider not only white middle-class women?s organizing but also the politics of working-class women and women of color, emphasizing that there was not one monolithic ?women?s agenda,? but rather a multiplicity of women?s voices demanding recognition for a variety of causes.
North American Women Artists of the Twentieth Century
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
