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In the late 80s, Katherine Carlyle is created using IVF. Stored as a frozen embryo for eight years, she is then implanted in her mother and given life. By the age of nineteen Katherine has lost her mother to cancer, and feels her father to be an increasingly distant figure. Instead of going to college, she decides to disappear, telling no one where she has gone. What begins as an attempt to punish her father for his absence gradually becomes a testing-ground of his love for her, a coming-to-terms with the death of her mother, and finally the mise-en-scene for a courageous leap from false empowerment to true empowerment. Written in the beautifully spare, lucid and cinematic prose that Thomson is known for, Katherine Carlyle uses the modern techniques of IVF and cryopreservation to throw new light on the myth of origins. It is a profound and moving novel about where we come from, what we make of ourselves, and how we are loved.
Aesthetics and Film is a philosophical study of the historically dominant form of moving image media.
Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making an...
This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize. Two new essays by leading figures in the field present different views on each issue. The paired essays contain significant points of both agreement and disagreement; new theories and frameworks are proposed at the same time as authors review the current state of debate. Given their combination of richness and clarity, the essays in this volume can effectively engage both students, undergraduate or graduate, and academic researchers.
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely a...
"What a combination--John Winthrop, our first source on the early history of New England, and James Savage, the leading name in New England genealogy. "Savage's Edition of Winthrop's Journal," as this work is usually referred to, was inspired by the discovery of a third part (manuscript) of Winthrop's History of New England in the year 1816. Mr. Savage, a distinguished member of the Massachusetts Historical Society and the author of the seminal Genealogical Dictionary of New England, was assigned the task of transcribing the newly discovered manuscript and integrating it with the previously published pages of Winthrop's Journal. Applying his customary acumen to the task, Savage completed his transcription and collation of the History of New England in time for an 1825 publication, adding his own learned annotations about the men, women, and events Winthrop referred to, yielding a work perhaps twice as long as the original journal"--Publisher website (January 2009).
Can words make Australia a better place? Can writing help to inform a collective national consciousness? Over the past decade Australians have witnessed a significant shift to more insular and conservative economic, ethical and cultural norms. The problems of valuing and achieving justice seem more acute than ever, yet the solutions to those problems are not obvious nor are those in power taking the lead. In this powerful collection, Australian writers including Gail Jones, Eva Sallis and Frank Brennan explore the relationship between writing and justice, a relationship utterly dependent on informed, ethical readers. These essays - from poets, essayists, academics, playwrights, critics and novelists - demonstrate how it is possible for writing to articulate concerns of justice, enlighten the broader community and move citizens to action.
In Navigating we meet Bea, an embattled woman who finds herself in possession of damaging documentary evidence. The seaside town in which she and her sister live is riddled with corruption and buried secrets, as the forces once responsible for a holiday tragedy now conspire to win the contract for a private prison. Unwilling to recognise the fear and deceit around her Bea confides in one hollow friend after another. Her small world crumbles. Silence, she discovers, is as damaging as speech. A dense, powerful, witty human drama which goes to the heart of small-town politics and finds sources of unexpected wisdom. (3 men, 4 women).