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ABOVE It is the seventeenth century. For twenty years, the City of London has been torn apart: by war, by plague, by fire. BELOW The Onyx Court is London's faerie shadow. Dedicated to co-existence with mortals, it struggles to survive against rival courts who oppose everything it stands for. BETWEEN Now, when these two realms are at their most divided, they face a threat neither can defeat alone. The Great Fire ravaging London is more than mere flames. While the city's human residents struggle to halt the inexorable blaze, the fae must defeat a stranger foe: the embodiment of the fire itself, a monstrous Dragon that seeks to devour London both above and below. If the faerie queen Lune and her mortal consort cannot bring the two worlds together, the city itself may not survive . . . .
For centuries a faerie court has hidden itself beneath London: a place of shadows and intrigue, where the city’s immortal inhabitants can watch and manipulate the mortals above. Through two royal dynasties, through rebellions and plots, through war and plague and fire, the Onyx Court endures. Now the court’s first two centuries are collected in a single book. This omnibus contains the novels Midnight Never Come and In Ashes Lie, as well as the novella Deeds of Men, the novelette “And Blow Them at the Moon,” and the short story “Two Pretenders.”
The fourth volume in a history of photography, this is a bibliography of books on the subject.
The remarkable photography collection of the University of New Mexico Art Museum owes its unique character and quality to the directors, curators, scholars, and artists who have taught, worked, and studied at the museum and in the university’s Department of Art and Art History. In this indispensable book, these distinguished scholars and artists reflect on the pictures from the collection that hold significance to them. Through their own professional and artistic practice, they represent different generations of aesthetic voices and intellectual directions. As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography’s 175-year history. In addition to iconic works by famous photographers, this book also features less familiar but equally masterful pictures. Together, these essays represent a unique history of photography and this renowned museum.
How dirty were our ancestors, really? Academic history has persuaded us that everyone in the early modern era thought bathing was unhealthy, so they didn't do it. Sweet and Clean? challenges this view, using a range of fascinating evidence to tell a different story about the washing of bodies and scrubbing of clothes in early modern England.
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...