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1712, Ireland. A young woman faces death when she's caught spying on Freemasons. Based on a true story.
Published on the occasion of the exhibition Shipwreck! Winslow Homer and 'The Life Line,' Philadelphia Museum of Art, September 22, 2012-December 16, 201
Prior to the 1960s, Andrew Wyeth enjoyed a stellar reputation as a rising star in the art world. Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Children who are looked after or adopted may experience varieties of learning difficulties that are caused by the trauma and disruptive relationships that marked their early lives. This book provides authoritative, clinical guidance for carers and adopters on why these learning difficulties can occur and what can be done about them. In straightforward language, it explains how children's difficult early experiences can affect their learning; the importance of play to being able to learn; how to understand what the child is experiencing and why, and how carers and parents can help.
Complemented by cultural and medical history interpretations, this fascinating volume revisits “The Gross Clinic”--the masterpiece of one of the preeminent American painters of the 19th century, exploring the history, aesthetics and technique of this once controversial painting. Original.
Excerpt from Thomas Eakins, His Life and Work Writing Master: a sturdy figure, and a round head strongly Irish in character, with bald brow, shaggy eyebrows, patient gray eyes, a long clean-shaven upper lip, an old-fashioned fringe of whiskers below the chin, and an expression at once firm and benign, with a touch of humor; and strong, steady hands, used to years of exacting work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
OBSERVER BOOKS OF THE YEAR 2015 TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014 WINNER OF THE AMERICAN HISTORICAL ASSOCIATION'S MORRIS D. FORKOSCH PRIZE 2016 'The most complete and plausible exploration of the roots of the 1916 Rebellion... essential reading' Colm Tóibín Vivid Faces surveys the lives and beliefs of the people who made the Irish Revolution: linked together by youth, radicalism, subversive activities, enthusiasm and love. Determined to reconstruct the world and defining themselves against their parents, they were in several senses a revolutionary generation. The Ireland that eventually emerged bore little relation to the brave new world they h...
"This catalogue raisonne is the definitive source on the artist Daniel Garber's life and work. The handsome two-volume reference set features nearly 1500 entries. There are 755 pages in the 2 volumes, with more than 1200 illustrations (174 in full color). Volume I presents a thorough overview of Garber's production, and addresses the question of Garber's reputation during his lifetime and for later generations. The thoughtful essays are authored by independent scholar Lance Humphries, who catalogued Garber's artworks for the individual entries in the second volume, and Kathleen Foster, Robert L. McNeil Jr. Curator of American Art at the Philadelphia Museum of Art. Consisting of 1450 individual catalogue entries, Volume II documents and reproduces every extant work by Garber, and includes information about many now missing. The appendices provide detailed accounts of the artist's exhibition history, awards received, art sold, and works by the artist in public collections."--Publisher's website.
Labeled as a traveling American folk artist when he was rediscovered in the mid-20th century, the mysterious Thomas Chambers here receives a fresh and creative reassessment. Although his distinctive sea- and landscapes appear in many American collections, little is known about this English-born painter, who arrived in New Orleans in 1832 and disappeared from record in the mid-1860s, leaving many paintings that later resurfaced in rural New York and Massachusetts. In this richly illustrated work, Kathleen A. Foster shows, however, that far from being simply an itinerant painter of folk art, Chambers actually enjoyed a professional, even entrepreneurial, relationship to the art world. Foster p...