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A dysfunctional family reunites for the Christmas holiday from hell in this rediscovered festive classic with fangs: 'literary comfort and joy' (Meg Mason, author of Sorrow and Bliss) for fans of Barbara Pym, Elizabeth Taylor and Stella Gibbons.A dysfunctional family reunites for the Christmas holiday from hell in this rediscovered festive classic with fangs for fans of Barbara Pym, Elizabeth Taylor and Stella Gibbons. 'Literary comfort and joy. It got me out of mourning for the Cazelet Chronicles.'Meg Mason (author of Sorrow and Bliss) 'A stylish and penetrating comedy of manners. My favourite Christmas book by far - and you can read it all year round.'Rachel Joyce (author of The Unlikely P...
A dysfunctional family reunites for the Christmas holiday from hell in this rediscovered festive classic with fangs for fans of Barbara Pym, Dodie Smith, Nancy Mitford, Elizabeth Taylor and Stella Gibbons. 'Literary comfort and joy. It got me out of mourning for the Cazelet Chronicles.' Meg Mason (author of Sorrow and Bliss) 'A stylish and penetrating comedy of manners. My favourite Christmas book by far - and you can read it all year round.' Rachel Joyce (author of The Unlikely Pilgrimage of Harold Fry) 'A horribly delicious snapshot of post-war family life, in which tensions ensnare the reader in tinsel-covered barbed wire.' Janice Hallett (author of The Appeal) The fire is on, sherry poured, presents wrapped, and claws are being sharpened. In a seaside cottage perched on a cliff, one family reunites for Christmas. While snow falls, a tyrannical widowed matriarch presides over her unruly brood. Her niece tends to her whims, but fantasises about eloping; and as more guests arrive, each bringing their secret truths and dreams, the Christmas tree explodes, a brawl erupts, an escape occurs - and their 'midwinter madness' climaxes ...
Culminating a decade of conferences that have explored presidential speech, The Prospect of Presidential Rhetoric assesses progress and suggests directions for both the practice of presidential speech and its study. In Part One, following an analytic review of the field by Martin Medhurst, contributors address the state of the art in their own areas of expertise. Roderick P. Hart then summarizes their work in the course of his rebuttal of an argument made by political scientist George Edwards: that presidential rhetoric lacks political impact. Part Two of the volume consists of the forward-looking reports of six task forces, comprising more than forty scholars, charged with outlining the likely future course of presidential rhetoric, as well as the major questions scholars should ask about it and the tools at their disposal. The Prospect of Presidential Rhetoric will serve as a pivotal work for students and scholars of public discourse and the presidency who seek to understand the shifting landscape of American political leadership.
This book is about the story of James T. Farrell's role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .
From U.S. Supreme Court Justice and bestselling author Neil Gorsuch, an argument against the legalization of assisted suicide and euthanasia The Future of Assisted Suicide and Euthanasia provides the most thorough overview of the ethical and legal issues raised by assisted suicide and euthanasia—as well as the most comprehensive argument against their legalization—ever published. In clear terms accessible to the general reader, Neil Gorsuch thoroughly assesses the strengths and weaknesses of leading contemporary ethical arguments for assisted suicide and euthanasia. He explores evidence and case histories from the Netherlands and Oregon, where the practices have been legalized. He analyz...
In scenes eerily parallel to the culture of fear inspired by our current War on Terror, A Need to Know explores the clandestine history of a CIA family defined, and ultimately destroyed, by their oath to keep toxic secrets during the Cold War. When Bud Goodall’s father mysteriously died, his inheritance consisted of three well-worn books: a Holy Bible, The Great Gatsby, and a diary. But they turned his life upside down. From the diary Goodall learned that his father had been a CIA operative during the height of the Cold War, and the Bible and Gatsby had been his codebooks. Many unexplained facets of Bud’s childhood came into focus with this revelation.The high living in Rome and London. ...
"Friends of Community Public Art (FCPA) is an example of how an organization can make a positive and exciting difference to an entire city through creative contributions. Their public art program has transformed the City of Joliet, Illinois by engaging residents in creating and viewing art; honoring its noted citizens through commemorative poetry, sculpture and murals; heightening public awareness of the history of their city; and exposing people of all ages and backgrounds to a variety of art forms. The education, therefore, is not limited to the stories told by the art - but is also in the works of art themselves. The collaborative effort between FCPA and the City of Joliet is an example of how art can bring new life to a community and engage its citizens in a shared pride in what distinguishes their City, through public art."--BOOK JACKET.
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This book is a full-length study of the British novelist, poet, and illustrator Stevie Smith (1902-1971). It draws on extensive archival material to offer new insights into her work, challenging conventional readings of her as an eccentric. It reveals the careful control with which she managed her public persona, reassesses her allusive poetry in the light of her own conflicted response to written texts, and traces her simultaneous preoccupation with and fear of her reading public. William May considers the influence of artists such as George Grosz and Aubrey Beardsley on her apparently artless illustrations and explores her use of fiction and book reviews as a way of generating contexts for her poetry, offering readers a fascinating in-depth study that not only radically alters our understanding of Smith and her work, but provides new perspectives on British twentieth-century poetry and its reception.