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"Whether dealing with collective catastrophe or intimate trauma, recovering from emotional and physical hurt is hard. Kathleen O'Connor shows that although Jeremiah's emotionally wrought language can aggravate readers' memories of pain, it also documents the ways an ancient community, and the prophet personally, sought to restore their collapsed social world. Both prophet and book provide a traumatized community language to articulate disaster; move self-understanding from delusional security to identity as survivors; constitute individuals as responsible moral agents; portray God as equally afflicted by disaster; and invite a reconstruction of reality" -- Publisher description.
Explores the book of Lamentations and its meaning for faith and ministry today. The five poems that comprise Lamentations tell of the community's pain in the aftermath of Jerusalem's destruction.
Troubling Jeremiah presents essays by Jeremiah scholars who are troubled by the biblical book and give the scholarship on Jeremiah trouble in turn. Essays seek to move beyond the Duhm-Mowinckel source criticism of the book to address matters of metaphor, final form, intertextuality, and the relationship of the book to various audiences of readers. Taken together, the 24 essays in this volume press for an end to 'innocent' readings of Jeremiah inasmuch as current models prove inadequate for troubling the very Jeremiah they have already helped to reveal.
This book shares the results of a symposium held to honor the work of Walter Brueggemann and Charles Cousar at Columbia Theological Seminary on the occasion of their retirement. Each author and each chapter of the book simultaneously engages the Bible, the church and the world--a three-part engagement that was fundamental to the acclaimed careers of Brueggemann and Cousar.
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In almost every human society some people get more and others get less. Why is inequity the rule in these societies? In The Origins of Unfairness, philosopher Cailin O'Connor firstly considers how groups are divided into social categories, like gender, race, and religion, to address this question. She uses the formal frameworks of game theory and evolutionary game theory to explore the cultural evolution of the conventions which piggyback on these seemingly irrelevant social categories. These frameworks elucidate a variety of topics from the innateness of gender differences, to collaboration in academia, to household bargaining, to minority disadvantage, to homophily. They help to show how i...
What does it mean to live a life in pursuit of art?In 1906, Kathleen O'Connor left conservative Perth, where her famous father's life had ended in tragedy. She had her sights set on a career in thrilling, bohemian Paris. More than a century later, novelist Amanda Curtin faces her own questions, of life and of art, as she embarks on a journey in Kate's footsteps.Part biography, part travel narrative, this is the story of an artist in a foreign land who, with limited resources and despite the impacts of war and loss, worked and exhibited in Paris for over forty years. Kate's distinctive figure paintings, portraits and still lifes, highly prized today, form an inseparable part of the telling.
Repurposed content from the 12 volume NIB, to serve as introductory academic textbooks
In colonial times few Americans bathed regularly; by the mid-1800s, a cleanliness “revolution” had begun. Why this change, and what did it signify? A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expr...
Noegel here examines instances of Janus parallelism in the Hebrew Bible with particular attention to the book of Job, and with excursuses on the device in other ancient Near Esatern literatures. The author finds the punning device integral to the book of Job, serving a referential function. Within the context of dialogue and debate, the polysemous statements resemble a poetry contest among the participants (Job, his friends, and Elihu). The book also treats the relationship between wordplay and wisdom literature; polysemy as preserved in the Greek, Aramaic, Latin, and Syriac translations; and the impact of Janus parallelism on textual criticism and the unity of the book of Job.>