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Lelia's Kiss
In Lelia's Kiss, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance. Going beyond the traditional canon, Giannetti focuses her study on the social and cultural scripts found in a wide array of comedies of the period to reveal the relativity of sex and gender roles and their cultural construction in Renaissance society. Giannetti argues that the comedic dialogue and cross-dressing characters so prevalent in Italian Renaissance comedies played with the presuppositions of the day and engaged with contemporary social norms, expectations, and desires. Cross-dressing female characters reveal the re...
Shakespeare's Theatre
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Milton and the Resources of the Line
An analysis of the poetic line in Milton that considers the resources made available to the poet by lineation, and how Milton explored and exploited them more resourcefully than any other English poet.
Architectonics of Imitation in Spenser, Daniel, and Drayton
Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance.
In the Anteroom of Divinity
In the Anteroom of Divinity focuses on the persistence of Pseudo-Dionysian angelology in England's early modern period. Beginning with a discussion of John Colet's commentary on Dionysisus' twin hierarchies, Feisal G. Mohamed explores the significance of the Dionysian tradition to the conformism debate of the 1590s through works by Richard Hooker and Edmund Spenser. He then turns to John Donne and John Milton to shed light on their constructions of godly poetics, politics and devotion, and provides the most extensive study of Milton's angelology in more than fifty years. With new philosophical, theological, and literary insights, this work offers a contribution to intellectual history and the history of religion in critical moments of the English Reformation.
Allegory and Epic in English Renaissance Literature
Challenging conventional notions that literary allegorism declined precipitously around 1600, Kenneth Borris reassesses the Renaissance relations between allegory and heroic poetry, particularly in the major texts of Sidney, Spenser and Milton. Through wide-ranging consideration of Homeric and Virgilian reception and its influence on both continental and English literary theory, he shows that allegorical epic tended to double for and displace epic throughout the sixteenth and seventeenth centuries. Borris offers a fresh approach to the interaction of allegory with literary genres; focusing on epic, he further analyses the distinctive codes and conventions that constituted the generic repertoire of Renaissance allegorical epic poetry. Whereas standard literary history assumes Sidney opposes allegory, and that Milton minimises or rejects it in following Spenser, Borris's detailed readings demonstrate that Sidney and Milton are also major allegorists, and that Spenser remained so even in the latter books of The Faerie Queene. This book was first published in 2000.
Transnational Exchange in Early Modern Theater
Emphasizing a performative and stage-centered approach, this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political, linguistic, and cultural borders (both "national" and "regional") but also in the ways that it enacted them. Contributors study various modalities of exchange, including the material and causal influence of one theater upon another, as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence, such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing "foreign" roles; and polyglot linguistic resonances that evoke circum-Mediterranean "cultural geographies." In analyzing theater as a medium of dialogic communication, the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.
The Best of All Possible Worlds: A Life of Leibniz in Seven Pivotal Days
A biography of the polymath Gottfried Wilhelm Leibniz told through seven critical days spanning his life and revealing his contributions to our modern world. Gottfried Wilhelm Leibniz (1646–1716) was the Benjamin Franklin of Europe, a “universal genius” who ranged across many fields and made breakthroughs in most of them. Leibniz invented calculus (independently from Isaac Newton), conceptualized the modern computer, and developed the famous thesis that the existing world is the best that God could have created. In The Best of All Possible Worlds, historian and Leibniz expert Michael Kempe takes us on a journey into the mind and inventions of a man whose contributions are perhaps witho...
Transnational Mobilities in Early Modern Theater
The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramat...
