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Revealing the Holy Land
Exhibition itinerary : Santa Barbara Museum of Art, Jan. 29-May 31, 1998; University of New Mexico Art Museum, Oct. 13-Dec. 13, 1999; St. Louis Art Museum, Feb. 23-May 23, 1999.
First Seen
Published to coincide with a traveling exhibition from one of the world's finest private collections - the Wilson Centre for Photography in London, First Seen is an extraordinary collection of some 250 of the earliest photographs ever taken during the nineteenth-century.Beautifully reproduced in a four colour process, a number of photographers have set out to capture the world's peoples and a variety of races and classes, from intimate domestic portraits to studies of the different, the exotic, the picturesque and the never-before-encountered.The fourth in a series of books published in association with the Santa Barbara Museum of Art to explore nineteenth-century photography, this is an amazing memento of the time images were first shown on paper."... a beautiful, enticing and problematic book..." History of Photography
Goya's War
This book draws on the most recently scholarship by art historians and historians on the context and meaning of Goya s series of eighty aquatint etchings, the Desastres de la Guerra, much of it made available for the first time in English. Goya scholar Janis Tomlinson re-orders the sequence of the posthumously published 1863 edition to illustrates the artist s stylistic evolution as well as the etchings relation to their historical context. Kathleen Stewart Howe discusses the enduring influence of these prints in contemporary art. All eighty etchings of the first edition (1863) are reproduced in full-page, color illustrations."
Intersections
This collection of essays, Volume 17 of "The Tamarind Papers and the third to be produced in book form, describes the intersections of lithography, photography, and established printmaking techniques. Considering topics from William Henry Fox Talbot's botanical illustrations and the Lemerciers' invention of photolithography to the sociopolitical prints of Ben Shahn and Walton Ford's incorporation of the photograph in contemporary lithography, these nine essays mark the two hundredth anniversary of the lithographic process and expand the history of graphic processes in the nineteenth and twentieth centuries. The connections between lithography and photography are many and varied. This volume expands the reader's knowledge of the history of printmaking and underscores the enduring beauty of prints.
Bertha Alyce
This collection of Block's photographs (sections of which involve nudity) presents her complicated, and at times difficult, relationship with her mother, Bertha Alyce, and a mother-daughter quest for healing.
The Hundreds
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.
Art Crossing Borders
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
The Foreignness of Foreigners
This collection of essays examines the various encounters between Britain and the Other, from a cultural, racial, ethnic, artistic and social perspective. It investigates the constructions of various figures of the foreigner in the British Isles through representations and discourses in the political and literary fields, as well as in the visual arts from the 17th century to the contemporary period. This volume presents a diverse selection of contributions which offer some common concerns abo ...
Encyclopedia of Nineteenth-Century Photography
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
