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When committed female police captain Linda Turner, haunted by the murders of two small children and their pastor father, becomes obsessed with solving the harrowing case, she finds herself wrapped up in a mission to expose a fraudulent religious organization and an unrepentant killer.
In this second edition of her exploration of Catholic women in film and television, author Kathryn Schleich presents an in-depth, feminist point of view while addressing important questions about the role of women in both the Church and Hollywood. Throughout Schleichs extensive research, she noticed that themes of fear, mistrust, and even hatred of women were prevalent. While examining such deeply ingrained attitudes, it soon became evident to Schleich that Catholic women still have a long way to go in Hollywood. As she carefully explores the sexual tension between Sister Benedict and Father OMalley in The Bells of St. Marys, the brutal murder of Theresa Dunn in Looking for Mr. Goodbar, and the stereotype shattering Grace Hanadarko of Saving Grace, Schleich offers an insightful portrayal of womens oppression within the Catholic Church and explores whether Catholic women are better off today. This study encourages contemplation of the place of Catholic women within the ever-changing spheres of cinema and television, ultimately encouraging movement toward the goal of achieving equal status for women in all realms of life.
In this second edition of her exploration of Catholic women in film and television, author Kathryn Schleich presents an in-depth, feminist point of view while addressing important questions about the role of women in both the Church and Hollywood. Throughout Schleichs extensive research, she noticed that themes of fear, mistrust, and even hatred of women were prevalent. While examining such deeply ingrained attitudes, it soon became evident to Schleich that Catholic women still have a long way to go in Hollywood. As she carefully explores the sexual tension between Sister Benedict and Father OMalley in The Bells of St. Marys, the brutal murder of Theresa Dunn in Looking for Mr. Goodbar, and the stereotype shattering Grace Hanadarko of Saving Grace, Schleich offers an insightful portrayal of womens oppression within the Catholic Church and explores whether Catholic women are better off today. This study encourages contemplation of the place of Catholic women within the ever-changing spheres of cinema and television, ultimately encouraging movement toward the goal of achieving equal status for women in all realms of life.
In Confessional Cinema, Jorge Pérez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco’s dictatorship. Pérez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain’s modernization processes. Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Pérez argues that commercial film...
Inspired by real-life events, Darkness and Grace is a compelling story of the Pierson family as they discover that neither their money nor their considerable influence can keep them safe from one woman's malicious intent. It's the classic struggle between good and evil, as well as the violent undercurrent running beneath the illusory serenity of a close-knit Midwestern family.
Who is the father of Brenna’s daughter? When Brenna Riley and Dennis Griffin meet on the Stanford rowing team, they are immediately and inexorably drawn to each other. Their attraction leads to an ill-fated hookup. For Brenna, that’s the end of the relationship. But for Dennis, it’s the beginning of an obsession. What follows is a nearly forty-year preoccupation for Dennis. Everything about Brenna, from her relationships to the strands of hair in her brush, is at the center of his thoughts. But as his efforts to win her over escalate and fail, Dennis focuses his attention on what he’s come to think of as the next best thing: her daughter, Sadie. A haunting, thrilling story about what happens when strong attractions are ignored, The Handyman follows Dennis and Brenna through marriages, addictions, and even an untimely death.
Calabria is one of the oldest civilised regions of Europe. In antiquity, the philosophy, science, literature and poetry of the Greek Pythagoreans flourished here; in the Middle Ages, the Norman Kingdom was the most cultured and opulent civilisation in the world. However, in modern times, Calabria has suffered from the almost complete neglect of its multi-facetted cultural legacy by dominant foreign ruling powers, declining into a third world region at the toe of the Italian peninsula. This book directs the attention of the world to those immense disregarded riches, through a collection of essays on the region’s history, arts and crafts, its philosophy and substantial intellectual legacy and especially its rejuvenation among the younger generations of today. Each of the 16 chapters was written by a scholar with unique experience in their field of research. They will be immensely useful for academics as well as students interested in Mediterranean culture.
In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented ‘other' which joins them into a narrative where they become participants in an ideological ‘reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic re...
Part detective story and part courtroom drama—with a touch of the supernatural—The Third Miracle exposes, for the first time ever, the secret rituals and investigations the Catholic Church today undertakes in order to determine sainthood. On a raw January 2001 morning at a Catholic convent deep in the Indiana woods, a Baptist handyman named Phil McCord made an urgent plea to God. He was by no means a religious man but he was a desperate man. McCord’s right eye was a furious shade of red and had pulsed for months in the wake of cataract surgery. He had one shot at recovery: a risky procedure that would replace part of his diseased eye with healthy tissue from a corpse. Dreading the gris...
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