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The Victorian Era saw a revolution in communication technology. Millions of texts emerged from a complex network of writers, editors, publishers and reviewers, to shape and be shaped by the dynamics of a rapidly industrializing society. Many of these works offer fundamental, often surprising insights into Victorian society. Why, for example, did the innocuously titled Essays and Reviews (1860) trigger public outrage? How did Eliza Lynn Linton become the first salaried woman journalist in England? What is "table-talk"? Critical approaches to Victorian prose have long focused on a few canonical writers. Recent scholarship has recognized a wide diversity of practitioners, forms and modes of dissemination. Presented in accessible A-Z format, this literary companion reinstates nonfiction as a principal vehicle of knowledge and debate in Victorian Britain.
Working with clients who abuse drugs or alcohol poses formidable challenges to the clinician. Addicted persons are often confronting multiple, complex problems, from the denial of the addiction itself, to legacies of early trauma or abuse, to histories of broken relationships with parents, spouses, and children. Making matters more confusing, the treatment field is too often splintered into different approaches, each with its own competing claims. This eloquently written book proposes a narrative approach that builds a much-needed bridge between family therapy, psychodynamic therapy, and addictions counseling. Demonstrated are innovative, flexible ways to help clients form new understandings of what has happened in their lives, explore their relationships to drugs and alcohol, and develop new stories to guide and nourish their recovery.
In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past."--BOOK JACKET.
The drifter is a man out of time. Plagued by visions of historic events he never could have witnessed, he struggles to understand the strange abilities that seem so natural. Then Death comes for him. With no choice but to run, he must find allies who can protect him until he learns why he is being pursued. The keystone of a terrible plan. A society of demigods buried in the rolls of history. Deadly schemes older than man. Welcome to the world of The Essentials.
After the Americans withdrew from the Vietnam War, their Indochinese allies faced imprisonment, torture and death under communist regimes. The Tai Dam, an ethnic group from northern Vietnam, campaigned for sanctuary, writing letters to 30 U.S. governors in 1975. Only Robert D. Ray of Iowa agreed to help. Ray created an agency to relocate the Tai Dam, advocated for the greater admission of "boat people" fleeing Vietnam, launched a Cambodian relief program that generated $540,000, and lobbied for the Refugee Act of 1980. Interviews with 30+ refugees and officials inform this study, which also chronicles how the Tai Dam adapted to life in the Midwest and the Iowans' divided response.
In his 1837 speech "The American Scholar," Ralph Waldo Emerson noted, "life is our dictionary," encapsulating a body of work that reached well beyond the American 19th century. This comprehensive study explores Emerson as a preacher, poet, philosopher, lecturer, essayist and editor. There are nearly 100 entries on individual texts and their personal, historical and literary contexts. Emerson's work is placed within his relationships with family members, fellow Transcendentalists and transatlantic friends, and his commitment to ethics, self-culture and social change. This book provides the fullest possible exploration of Emerson's writing and philosophy. Far ahead of his own time, the man enthusiastically questioned institutions, communities, friendships, history, individuality and contemporaneous approaches to environmental stewardship.
John Kinsella's essays are concerned with culture, place, and poetic language. From the 'city' to the 'bush', and with 'prospect' and 'refuge' of landscape in mind, his focus is up close. Looking at region through an international lens, he examines subjects as diverse as the pastoral tradition, the flag, forest protests, the meanings of the letterbox, the Western Australian wheatbelt, racism and opera. Describing himself as an international regionalist, in contradistinction to a nationalist, he is always willing to challenge his audience. This gathering of John Kinsella's writings about the intersections of location and writing is a rich contribution to the project of a new language for country . . . John Kinsella's mind starts with a convention and then proceeds to investigate it, testing a settled term like the pastoral, for instance, against his deep knowledge of the inner veins of Australian poetry, and his memory of wheatbins and Nyungar stookers. In an age when monolingualism and monoculturalism have become the watchwords of the powerful, it is a liberation to read these essays in passionate individualism. - Philip Mead
‘Dickens and the Sentimental Tradition’ is a timely study of the ‘sentimental’ in Dickens’s novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens’s presentation of emotion – first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition – as part of a complex literary heritage that enables him to critique nineteenth-century society. The book sheds light on the construction of feelings and of the ‘good heart’, ideas which resonate with current critical debates about literary ‘affect’. Sentimentalism, as the text demonstrates, is crucial to understanding fully the achievement of Dickens and his contemporaries.
This book is an interdisciplinary collection of essays that explores the variety of ways in which the interface between understanding the figure of Christ, the place of the cross, and the contours of lived experience, was articulated through the long nineteenth century. Collectively, the chapters respond to the theological turn in postmodern thought by asking vital questions about the way in which representations of Christ shape understandings of personhood and of the divine.