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Introduction : the private labors of public men -- Rabelais in a pickle : fixing flux in Le quart livre -- Spenser's secret recipes : life support in The faerie queene -- Correcting Montaigne : agitation and care in the Essais -- Marvell in the meantime : preserving patriarchy in Upon Appleton House -- Milton's storehouses : tempering futures in Areopagitica, Paradise lost, and Paradise regain'd -- Conclusion : a woman's work is never done.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In Ways of Seeking, Emily Drumsta traces the influence of detective fiction on the twentieth-century Arabic novel. Theorizing a “poetics of investigation,” she shows how these novels, far from staging awe-inspiring feats of logical deduction, mock the truth-seeking practices on which modern exercises of colonial and national power are often premised. Their narratives return to the archives of Arabic folklore, Islamic piety, and mysticism to explore less coercive ways of knowing, seeing, and seeking. Drumsta argues that scholars of the Middle East neglect the literary at their peril, overlooking key critiques of colonialism from the intellectuals who shaped and responded through fiction to the transformations of modernity. This book ultimately tells a different story about the novel’s place in the constellation of Arab modernism, modeling an innovative method of open-ended inquiry based on the literary texts themselves.
Critics of liberal democracy from both the left and right view rights not as protectors of freedom but as impediments to self-determination and call for radically regenerative political alternatives. Liberals respond to these challenges by reasserting that universal rights are self-evident, intentionally foreclosing the possibility of remaking the political order. Regenerative Politics makes a bold intervention into this fraught landscape, arguing that the survival of rights depends on abandoning their claims to self-evidence. Emma Planinc argues that liberal democracies must open themselves up to a regenerative politics that accepts all claims against political convention as self-determinat...
Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they r...
"With the anniversary of Donne's brilliant and difficult Devotions Upon Emergent Occasions coming up in 2024, Elizabeth Harvey and Timothy Harrison's John Donne's Physics is a timely study that provides fresh readings of the Devotions in relation to all of Donne's other writings. Previous scholarship has focused on Donne "the cleric" and the religious, pastoral significance of his work and thought. Harvey and Harrison show us another side of "the pastoral poet": as a thinker immersed in the latest developments in science and medicine of the time, and a participant in debates on natural philosophy and physics of his day. Rereading the Devotions alongside Donne's love poetry, satire, letters, and elegies, Harvey and Harrison shed new light on Donne, on his experience of the 1623 typhus epidemic in London that inspired his writing of the Devotions, and how we might think with Donne during our own pandemic times"--
A highly original hybrid of literary criticism and political history, telling of the enduring, surprising and ever-evolving relevance of Milton’s epic poem through the scandalous life of its creator and the revolutionary lives that were influenced by it. What in Me Is Dark tells the unlikely story of how Milton’s epic poem came to haunt political struggles over the past four centuries, including the many different, unexpected, often contradictory ways in which it has been read, interpreted, and appropriated through time and across the world, and to revolutionary ends. The book focuses on twelve readers—including Malcolm X, Thomas Jefferson, George Eliot, Hannah Arendt, and C.L.R James...
This collection affirms the shaping authority of early modern women in literature and culture, evident well beyond their own moment.
Throw Your Voice is a story of loss and recovery. It relates how children placed in a temporary care institution make sense of their situations. Moving between a Kazakhstan government children's home, Hope House, and the Almaty State Puppet Theater, Meghanne Barker shows how children, and puppets, as proxies, bring to life ideologies of childhood and visions of a rosy future. Sites and stories run in parallel. Framed by the narrative of Anton Chekhov's "Kashtanka," about a lost dog taken in by a kind stranger, the author follows the story's staging at the puppet theater. At Hope House, children find themselves on a path similar to Kashtanka, dislodged from their first homes to reside in a second. The heart of this story is about living in displacement and about the fragile intimacies achieved amidst conditions of missing. Whether due to war, migration, or pandemic, people get separated from those closest to them. Throw Your Voice examines how strangers become familiar, and how objects mediate precarious ties. She shows how people use fantasy to mitigate loss.
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Like Virgil, who depicted a farmer's scythe suddenly recast as a sword, the poets discussed here imagine states of peace and war to be fundamentally and materially linked. In distinct ways, they dismantle the dream of the golden age renewed, proposing instead that peace must be sustained by constant labor.