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Popobawa
“Bravely takes on . . . not the legendary shapeshifting creature spoken about sporadically on the Swahili coast of Tanzania, but rather popobawa discourse.” —The Journal of Modern African Studies Since the 1960s, people on the islands off the coast of Tanzania have talked about being attacked by a mysterious creature called Popobawa, a shapeshifter often described as having an enormous penis. Popobawa’s recurring attacks have become a popular subject for stories, conversation, gossip, and humor that has spread far beyond East Africa. Katrina Daly Thompson shows that talk about Popobawa becomes a tool that Swahili speakers use for various creative purposes such as subverting gender se...
Zimbabwe's Cinematic Arts
This timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. As she explores questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. She offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity.
Gendered Lives in the Western Indian Ocean
A breakthrough study of the underexamined lived experience of Islam, sexuality, and gender on the Swahili coast.
Muslims on the Margins
"Through multi-sited ethnography in face-to-face North American groups and global online communities of the contemporary marginalized Muslims who emerged from the earlier progressive Muslim movement, Thompson examines the role of language, affect, embodiment, queerness, religious pluralism, and futurity in the creation of inclusive communities"--
Ring Shout, Wheel About
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.
Muslims on the Margins
"Through multi-sited ethnography in face-to-face North American groups and global online communities of the contemporary marginalized Muslims who emerged from the earlier progressive Muslim movement, Thompson examines the role of language, affect, embodiment, queerness, religious pluralism, and futurity in the creation of inclusive communities"--
Metaphysical Community
Review: "Leading exponent of discourse-centered approach examines social organization of the Shokleng, Gê-speaking peoples of southern Brazil. Author suggests a reading in terms of the problematic of knowledge: the theme of intelligibility and sensibility and their interrelations; logical empiricism and its connection to the world; the attachment of circulating discourse to sensible space; the relation of discourse and power relations; and the relation of discourse to reference"--Handbook of Latin American Studies, v. 57. http://www.loc.gov/hlas/
Music, Performance and African Identities
Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
American Journal of Islamic Social Sciences
The American Journal of Islamic Social Sciences (AJISS), established in 1984, is a quarterly, double blind peer-reviewed and interdisciplinary journal, published by the International Institute of Islamic Thought (IIIT), and distributed worldwide. The journal showcases a wide variety of scholarly research on all facets of Islam and the Muslim world including subjects such as anthropology, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam.
