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Crunch Lit
The first critical guide to the new genre of crunch lit surveys how contemporary writers have dealt with the 2008 financial crisis.
Hauntology
Post-millennial writings function as a useful prism through which we can understand contemporary English culture and its compulsion to revisit the immediate past. The critical practice of hauntology turns to the past in order to make sense of the present, to understand how we got to this place and how to build a better future. Since the Year 2000, popular culture has been inundated with representations of those who occupy a space between being and non-being and defy ontological criteria. This Pivot explores a range of contemporary English literatures - from the poetry of Simon Armitage and the drama of Jez Butterworth, to the fiction of Zadie Smith and the stories of David Peace - that colle...
Crime Fiction and National Identities in the Global Age
To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ...
A Theory of Spectral Rhetoric
This book synthesizes Jacques Derrida’s hauntology and spectrality with affect theory, in order to create a rhetorical framework analyzing the felt absences and hauntings of written and oral texts. The book opens with a history of hauntology, spectrality, and affect theory and how each of those ideas have been applied. The book then moves into discussing the unique elements of the rhetorical framework known as the rhetorrectional situation. Three case studies taken from the Christian tradition, serve to demonstrate how spectral rhetoric works. The first is fictional, C.S. Lewis ’The Great Divorce. The second is non-fiction, Tim Jennings ’The God Shaped Brain. The final one is taken from homiletics, Bishop Michael Curry’s royal wedding 2018 sermon. After the case studies conclusion offers the reader a summary and ideas future applications for spectral rhetoric.
David Peace
David Peace is an emerging author who is widely read and taught, and whose novels are increasingly translated into commercial film (The Damned United, March 2009) and television (Channel 4 adaptation of the Red Riding Quartet, March 2009). Dr Katy Shaw's book provides a challenging but accessible critical introduction to his work through a detailed analysis of his writing, as well as the socio-cultural contexts of its production and dissemination. The author explores Peace's attempts to capture the sensibilities of late twentieth century society and contributes to an ongoing debate in the media about Peace's representations. Influenced by critical theory, the text will be the first secondary...
Mind the Ghost
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers’ investment in mnemonic practices. Considering the me...
The New Witches
After Charmed ended in 2006, witches were relegated to sidekicks of televisual vampires or children's programs. But during the mid-2010s they began to resurface as leading characters in shows like the immensely popular The Chilling Adventures of Sabrina, the Charmed reboot, Salem, American Horror Story: Coven, and the British program, A Discovery of Witches. No longer sweet, feminine, domestic, and white, these witches are powerful, diverse, and transgressive, representing an intersectional third-wave feminist vision of the witch. Featuring original essays from noted scholars, this is the first critical collection to examine witches on television from the late 2010s. Situated in the aftermath of the #MeToo movement, essays examine the reemergence and shifting identities of TV witches through the perspectives of intersectional gender studies, hauntology, politics, morality, monstrosity, violence, queerness, disabilities, rape, ecofeminism, linguistics, family, and digital humanities.
The Innocent
"It's not the crime that kills you – it's the cover-up." When college basketball coach Malik Shaw goes missing after a family tragedy, it looks like just another retired athlete gone off the rails. But Malik's childhood friend, private security specialist Ty Johnson, quickly begins to suspect that there is more to it. Chasing the truth, Ty, along with his business partner, Ryan Lock, begin to uncover a sinister conspiracy of silence in a sleepy Minnesota college town. Read what others are saying about Sean Black: "This series is ace. There are deservedly strong Lee Child comparisons as the author is also a Brit, his novels US-based, his character appealing, and his publisher the same." - S...
Mining the Meaning
This innovative study provides an exciting, challenging and accessible critical introduction to cultural representations of 1984–5 and analyses the ways in which these representations articulate an essential dialogic exchange of issues central to both the coal dispute and the development of literary and cultural studies over the past twenty five years. Focusing closely on the politics of form, the study interrogates the significance of the mode, means and function of strikers’ writings, as well as alternative representations of the conflict offered by established writers, musicians, artists and film-makers in the wake of the coal dispute. These representations are worthy of study due to ...
Teaching Crime Fiction
More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.
