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Writing Shame: Gender, Contemporary Literature and Negative Affect
Examines the triangulation of shame, gender and writing in the field of contemporary literature.
A.L. Kennedy
This introduction places Kennedy's work in a clear historical and theoretical context. Its importance is considered in terms of contemporary Scottish identity and relevance to key issues in contemporary culture. Accessible and comprehensive, this guide includes a timeline of key dates, interview with the author and an overview of critical reception.
Intention and Text
The question of intention is central to the study of literature. How far can an author's intentions determine the meanings of his/her text? What do we mean by 'intention' in a literary context? What force does the reader's intention have in the construction of textual meaning? To what extent can a text itself be said to be 'intentional'? The aim of this book is to provide an in-depth analysis and critique of this concept of intention, its uses within the realms of literary theory, aesthetics, philosophy of language, phenomenology and deconstruction, and its potential for redefinition. Mitchell sets out to re-think intention and interrogate the possibilities of an intentionalism more suited to a formalist or textualist critical methodology. She moves from an assessment of the pitfalls of a traditional authorial intentionalism, towards the formulation of an 'intentionality of form', where intention is seen as a formal attribute of the text itself
Writing Shame
Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.
Sarah Waters
A multiple award-winning author, Sarah Waters is one of the most critically and commercially successful novelists writing today. In such novels as Fingersmith, Tipping the Velvet, Affinity and The Night Watch, her writing has played compellingly with popular and generic forms and narrative techniques and covered a number of important contemporary themes. This critical guide is the first book to offer a wide range of current critical perspectives on Waters' work. With chapters written by leading established and emerging scholars the book explores issues such as gender, sexuality, class, time and space in Waters' fiction, as well as her appropriation of a range of genres from the historical and neo-victorian novel to the gothic. The book also includes a new interview with Waters herself, a timeline of her life, chapter summaries and guides to further reading, making this an essential guide to the work of one of the most exciting voices in contemporary fiction.
British Avant-Garde Fiction of the 1960s
This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history.
Useless Activity
Using a broad range of archival material from Washington University, St. Louis, the University of Glasgow, and the British Library, Useless Activity: Work, Leisure and British Avant-Garde Fiction, 1960-1975 is the first study to ask why the experimental writing of the 1960s and 1970s appears so fraught with anxiety about its own uselessness, before suggesting that this very anxiety was symptomatic of a unique period in British literary history when traditional notions about literary work – and what 'worked' in terms of literature – were being radically scrutinised and reassessed. The study is divided into five chapters with three of those dedicated to the close analysis of work produced ...
Rachel Cusk
A critically acclaimed and controversial contemporary British author, Rachel Cusk's work offers a striking representation of trends in modern writing through her rejection of the conventional trappings of realism and her pushing the limits between fiction and life writing. Rachel Cusk: Contemporary Critical Pesrpectives is a critical guide to Cusk's broad oeuvre, covering such novels as Saving Agnes, A Country Life, and Second Place among others; her 'autofictional' Outline trilogy; and her nonfiction works such as A Life's Work, The Last Supper, Aftermath and the Coventry essays. Substantial and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring ...
Intersectionality and Decolonisation in Contemporary British Crime Fiction
Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.
