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Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films” as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces ...
The first book-length introduction to the Yayoi and Kofun periods of Japan (c.600 BC-AD 700).
This book summarizes results of decades of Japanese intensive archaeological study and introduces some local museums conserving and interpreting cultural heritage in the face of overwhelming urbanization.