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Black and She's Leaving Home
Black Nikki doesn't think her dad is a racist ... He just cares deeply about his community ... But when a Zimbabwean family move in over the road, the dog won't stop barking ... The local kids start lobbing stones ... And her dad starts laying down the law. Black is a hard-hitting play about racial tensions in the UK today She's Leaving Home At 15, Kelsey has her whole life in front of her and feels that she has everything she wants: good mates, a supportive family and big ambitions. But as the years roll by she slowly realises that leaving home to fulfill her dreams isn't as easy as she first imagined. She's Leaving Home was commissioned by Culture Liverpool as part of the 50th Anniversary of the Beatles seminal album Sgt. Pepper's Lonely Hearts Club Band. With bracing insight into the worlds of two young women with very different struggles, Keith Saha's Black and She's Leaving Home force the issues of modern Britain to take centre stage. This edition was published to coincide with 20 Stories High's national tour of Black in 2018.
Melody Loses Her Mojo
I gotta keep hold of my Mojo He keeps me bouncing up and down like a yo-yo When I'm on a low low He makes me ho ho Gets me flying out of black holes like Chewbacca and Han Solo Melody is in the care system and is out of control . . . the only thing that is constant in Melody's life is her toy monster, Mojo. Blessing has come from Nigeria to stay with an 'Aunty', but when the relationship breaks down, she is trapped in the care system and longs to be back with her Nana in Lagos. Rizla has just left the care system. He has been taken in by some older guys in the local hostel and has found his new 'family'. Melody Loses Her Mojo is a bold, gritty and challenging story aimed at young people. It fuses Hip-hop theatre, dance, puppetry and street art to follow the amazing journeys of three remarkable young people, whose stories intertwine in a world full of magical and surreal moments.
The Broke 'n' Beat Collective
Sometimes when I can't stand on my own two feet Or the voices in my head feel cracked and incomplete I turn up the volume of my Broken Beats The Big Heavy Bass sends moves flowing to my feet Melodic rhymes fill my head and make me feel oh-so-sweet Cos my Broken Beats help me feel alive And not so Broke and Beat. The Broke 'n' Beat Collective is a unique mash up of hip-hop, theatre and puppetry which brings together four amazing artists: beat-boxer Hobbit, b-boy LoGisTics , singer/rapper Elektric and puppeteer Mohsen to form The Broke 'n' Beat Collective. Written by Keith Saha, a playwright and the co-artistic director of 20 Stories High, and Sue Buckmaster, the Artistic Director of Theatre-Rites, The Broke 'n' Beat Collective is a unique theatrical experience filled with gripping tales, transfixing poetry and hip-hop puppetry. Funny and moving, it is a raw and moving play that explores the hardships faced by young people in the UK today. This edition was published to coincide with a national tour of the play which opened in February 2016 in a coproduction between 20 Stories High and Theatre Rites.
I Told My Mum I Was Going on an R.E. Trip ...
I told my mum I was going on an R.E. trip and I needed to be at Piccadilly Bus Station for seven o'clock in the morning, in order to get to the clinic by half past eight . . . What do you know about abortion? What do you think about it? Why can we debate it as an idea, but not talk about it as an experience? With one in three women in the UK having had an abortion I Told My Mum I Was Going on an R.E. Trip . . . explores what seems to be one of society's last taboos. A play written for a young, multi-talented female ensemble, I Told My Mum I Was Going on an R.E. Trip . . . uses verbatim text, live music, beats and rhyme to portray the stories of real women who've experienced pregnancy and abortion. This funny, frank, and moving play is about as far from a run-of-the-mill sexual health lecture as is imaginable. I Told My Mum I Was Going on an R.E. Trip . . . premiered at Contact, Manchester on 1 February 2017, in a co-production with 20 Stories High
Melody Loses Her Mojo
I gotta keep hold of my Mojo He keeps me bouncing up and down like a yo-yo When I'm on a low low He makes me ho ho Gets me flying out of black holes like Chewbacca and Han Solo Melody is in the care system and is out of control . . . the only thing that is constant in Melody's life is her toy monster, Mojo. Blessing has come from Nigeria to stay with an 'Aunty', but when the relationship breaks down, she is trapped in the care system and longs to be back with her Nana in Lagos. Rizla has just left the care system. He has been taken in by some older guys in the local hostel and has found his new 'family'. Melody Loses Her Mojo is a bold, gritty and challenging story aimed at young people. It fuses Hip-hop theatre, dance, puppetry and street art to follow the amazing journeys of three remarkable young people, whose stories intertwine in a world full of magical and surreal moments.
Black and She's Leaving Home
Black Nikki doesn't think her dad is a racist ... He just cares deeply about his community ... But when a Zimbabwean family move in over the road, the dog won't stop barking ... The local kids start lobbing stones ... And her dad starts laying down the law. Black is a hard-hitting play about racial tensions in the UK today She's Leaving Home At 15, Kelsey has her whole life in front of her and feels that she has everything she wants: good mates, a supportive family and big ambitions. But as the years roll by she slowly realises that leaving home to fulfill her dreams isn't as easy as she first imagined. She's Leaving Home was commissioned by Culture Liverpool as part of the 50th Anniversary of the Beatles seminal album Sgt. Pepper's Lonely Hearts Club Band. With bracing insight into the worlds of two young women with very different struggles, Keith Saha's Black and She's Leaving Home force the issues of modern Britain to take centre stage. This edition was published to coincide with 20 Stories High's national tour of Black in 2018.
The Misanthrope
Deals with a man who makes a decision to always tell the truth whatever the consequences. It is a play that looks at the tightrope we all teeter upon between kindness and devastating honesty and asks the question with sometimes hilarious and moving results: Is honesty always the best policy?
Actors' Yearbook 2014
Actors' Yearbook is an established and respected directory that enables actors to find work in stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies and photographers, Actors' Yearbook editorially selects only the most relevant and reputable contacts for the actor. Articles and commentaries provide valuable insight into the profession: auditions, interviews and securing work alongside a casting calendar and advice on contracts and finance. This is an incredibly useful professional tool in an industry where contacts and networking are key to career survival. The listings detailed in this edition have been thoroughly updated alongside fresh advice from industry experts.
Young People, New Theatre
Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.
Actors' and Performers' Yearbook 2022
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. Actors' and Performers' Yearbook 2022 features: * 4 newly commissioned interviews conducted by Polly Bennett and Joan Iyiola (co-founders of The Mono Box) with theatre i...
