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SOUTH BEND
In C.S. Lewis's classic The Lion, The Witch and the Wardrobe, Lucy asks if Aslan the lion is safe. It is quickly clarified that Aslan is not safe...but he is good. That concept serves as the foundation for this collection of short stories. While written from a Christian worldview, our goal isn't comfort food for Christians or G-rated stories that offer simplistic lessons. Instead, we're serving up stories sharpened by faith. Stories that will engage, challenge, entertain, and stretch the reader. These stories aren't necessarily safe...but without question, they are good. From Homer Hickam, the best-selling author of Rocket Boys--which later became the movie October Sky--to editor and contributing best-selling author Bret Lott, this collection spans a talented community writing an eclectic blend of fiction. These stories will take you on a journey filled with lightheartedness, profundity, hilarity, tragedy...and ultimately hope.
SOUTH BEND
You know the names and the stories, but you've never seen them like this before! My Name Was Never Frankenstein: And Other Classic Adventure Tales Reanimated brings your favorite characters back to life in new and exciting escapades. In this inventive collection, a stellar cast of writers uses classic adventure tales as a launch pad for an eclectic mix of prequels, alternate universes, spin-offs, and total reboots. Imagine Ahab is shipwrecked on an island of cannibals, or Mr. Hyde tells his side of the story, or the scarecrow from Oz struggles with the mystery of his existence. By turns wry and haunting, My Name Was Never Frankenstein upends old territory and classic characters to reclaim them for a new generation.
Bringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory.
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As Kurt Vonnegut, Indiana's most famous writer, once remarked, "Wherever you go, there is always a Hoosier doing something important there." A Flame Called Indiana features 65 writers of fiction, nonfiction, and poetry who have all had the pleasure of being Hoosiers at one time or another. Curated by the Indiana University Bloomington creative writing department, this diverse anthology features everything from the immigrant experience to the Indianapolis 500 to science fiction. Altogether, the work stands testament to the vibrancy and creativity of this Midwest state. An excellent gift for your favorite reader and an important resource for creative writers, A Flame Called Indiana serves as both a chronicle of where Indiana's writing is today and a beacon to those who'll take it where it's going next.
With increased compression, every word, every sentence matters more. A writer must learn how to form narratives around caesuras and crevices instead of strings of connections, to move a story through the symbolic weight of images, to master the power of suggestion. With elegant prose, deep readings of other writers, and scaffolded writing exercises, The Art of Brevity takes the reader on a lyrical exploration of compact storytelling, guiding readers to heighten their awareness of not only what appears on the page but also what doesn’t.
Stunning and visceral in its emotional impact, The Dark Will End The Dark collects 14 stories by veteran author Darrin Doyle. Deftly mixing realism and fabulism, bleakness and hope, sparkling dialogue and unforgettable characters, these literary Midwestern Gothic tales remain in the reader’s mind long after the last page is turned.
This book examines the fictional female bodies of four stylistically distinct comics artists in the United States—Chris Ware, Emil Ferris, Ebony Flowers, and Tillie Walden—whose work has attracted significant attention. These bodies showcase how comics and its unique visual language can both critique and re-envision some of the most challenging social issues of our time. The characters analyzed in this book illustrate diverse techniques for projecting the complex humanity and "truth" of U.S. women’s unruly bodies onto a two-dimensional page. All of the protagonists qualify as "outsider" in some way, whether by gender identity, sexuality, ability, religion, race, class, ethnicity, age, ...