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Extraordinary Things, the first in a series of Things is Kellie Crouse's first book. This book combines multiple genres - fiction, oral history, and personal essay - into one compact novel. From the fields of Iraq to the haunted halls of a Victorian Cape May home, these stories are meant to engage, enlighten, delight, and thrill. Do note: Not all these stories have appropriate material for all audience. Parental guidence is advised.
Daniel and his family of lovely monstergirls continue their journey to instill peace in the world of Eden, however others are already working hard to bring anarchy and despair to all those they come across. While Daniel's beliefs of not all monsters being truly evil does hold true to some, many are only seeing why such creatures are rightfully called monsters. As Daniel and his girls unknowingly approach a very dark reunion with their old enemies, Daemon and his followers have stepped up to halt the wicked fiends who march through their land. But it isn't just those who have already slain countless innocents that they wish to stop as there is another great evil from ages past waiting to be discovered, and to be released.
In 1991, as Linda Alice Dewey walked through an abandoned cemetery, she and a companion felt a presence. She returned to that graveyard over the next couple of years, hoping to reach out to that poor being, offering the words: "Whoever is here…my heart is with you.” Little did Linda know that those words would begin her relationship with Aaron Burke, a man who had died nearly 70 years earlier. Aaron followed Linda home that day from the graveyard. As she opened herself to this ghost she learned that he was stuck in a state of limbo, unable to cross over. Aaron had been kidnapped by his father at age four and taken from Ireland to America where he was put to work. Hardened and embittered ...
Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1 Youth and Media -- 2 Then and Now -- 3 Themes and Theoretical Perspectives -- 4 Infants, Toddlers, and Preschoolers -- 5 Children -- 6 Adolescents -- 7 Media and Violence -- 8 Media and Emotions -- 9 Advertising and Commercialism -- 10 Media and Sex -- 11 Media and Education -- 12 Digital Games -- 13 Social Media -- 14 Media and Parenting -- 15 The End -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Growing up can mean growing pains and the joys of new independence. With maturity comes the shift from infinite possibilities to imminent realities. These thirteen stories describe the slow and subtle experience of growing up, allowing us to reflect upon the forces that pushed us toward adulthood and away from the familiar ground of youth that must be left behind if we are to learn how to soar on our own.
The eleven stories in Wendy Brenner's debut story collection concern people who are alone or feel themselves to be alone: survivors negotiating between logic and faith who look for mysterious messages and connections in everyday life, those sudden transformations and small miracles that occur in mundane, even absurd settings. Brenner's stories range in setting from the rural and southern (a rotating country music bar, a dog track/jai alai compound, a grocery store, a natural cold springs sinkhole) to the urban and high-tech (absurdly bureaucratic companies and academic departments and a food irradiation plant). Often young and tough women seeking to hone their survival sensibilities, Brenner's characters are a mix of the everyday and the fantastic: frustrated secretaries and scientists, a young supermodel, precocious children, fierce plumbers and mechanics, a psychic grandmother, an unhappy lottery winner, a desperate grocery-store mascot in an animal suit. And then there are the animals—real ones of all kinds who turn up at unlikely moments and often seem to be trying to help.