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Twelve-year-old Kassy O'Roarke wants to win the Thompson Award at her school newspaper. Her pesky little brother Percy and his key-stealing ferret try to help . . . and that's when the trouble begins. Apollo the cougar cub goes missing from their family's petting zoo. Kassy must put her detective skills to the test to find him before Animal Control does. Can Kassy outsmart the dogcatcher and rescue Apollo before being grounded for life? Join Kassy's fun-filled adventure cracking riddles, detecting clues, and solving a whole zoo of animal trouble in the first book in the Pet Detective Mysteries. AUTHOR BIOGRAPHY: Kelly Oliver is the award-winning, best-selling author of the adult fiction Jess...
Challenging the fundamental tenet of the multicultural movement -- that social struggles turning upon race, gender, and sexuality are struggles for recognition -- this work offers a powerful critique of current conceptions of identity and subjectivity based on Hegelian notions of recognition. The author's critical engagement with major texts of contemporary philosophy prepares the way for a highly original conception of ethics based on witnessing. Central to this project is Oliver's contention that the demand for recognition is a symptom of the pathology of oppression that perpetuates subject-object and same-different hierarchies. While theorists across the disciplines of the humanities and ...
Philosophy reads humanity against animality, arguing that "man" is man because he is separate from beast. Deftly challenging this position, Kelly Oliver proves that, in fact, it is the animal that teaches us to be human. Through their sex, their habits, and our perception of their purpose, animals show us how not to be them. This kinship plays out in a number of ways. We sacrifice animals to establish human kinship, but without the animal, the bonds of "brotherhood" fall apart. Either kinship with animals is possible or kinship with humans is impossible. Philosophy holds that humans and animals are distinct, but in defending this position, the discipline depends on a discourse that relies on the animal for its very definition of the human. Through these and other examples, Oliver does more than just establish an animal ethics. She transforms ethics by showing how its very origin is dependent upon the animal. Examining for the first time the treatment of the animal in the work of Heidegger, Merleau-Ponty, Derrida, Agamben, Freud, Lacan, and Kristeva, among others, Animal Lessons argues that the animal bites back, thereby reopening the question of the animal for philosophy.
File clerk, Miss Fiona Fig, desperate for any adventure to help her forget her philandering husband, becomes a spy for British Intelligence during WWI.
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Family Values shows how the various contradictions at the heart of Western conceptions of maternity and paternity problematize our relationships with ourselves and with others. Using philosophical texts, psychoanalytic theory, studies in biology and popular culture, Kelly Oliver challenges our traditional concepts of maternity which are associated with nature, and our conceptions of paternity which are embedded in culture. Oliver's intervention calls into question the traditional image of the oppositional relationship between nature and culture, maternal and paternal. Family Values also undercuts recent returns to the rhetoric of a "battle between the sexes" by analyzing the conceptual basis of these descriptions in biological research and the presuppositions of such suggestions in philosophy and psychoanalysis. By developing a reconception of maternity and paternity, Family Values offers hope for peace in the battle of the sexes.
Katniss Everdeen (The Hunger Games), Bella Swan (Twilight), Tris Prior (Divergent), and other strong and resourceful characters have decimated the fairytale archetype of the helpless girl waiting to be rescued. Giving as good as they get, these young women access reserves of aggression to liberate themselves—but who truly benefits? By meeting violence with violence, are women turning victimization into entertainment? Are they playing out old fantasies, institutionalizing their abuse? In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence—especially sexual violence—is an inevitable, perhaps e...
" . . . both an excellent introduction and a thoroughgoing analysis of Kristeva's writing." —Signs "The book is a brilliant combination of a recuperative and a critical reading of Kristeva's work." —Changes: An International Journal of Psychology & Psychotherapy " . . . a thorough, detailed, and critical analysis of the writings of Julia Kristeva." —Elizabeth Grosz ". . . the most involved and engaging study of Julia Kristeva's work to date . . ." —The Year's Work in Critical and Cultural Theory This first full-scale feminist interpretation of Kristeva's work situates her within the context of French feminism. Oliver guides her readers through Kristeva's intellectual formation in linguistics, Freud, Lacan, and poetics. This comprehensive introduction to Kristeva makes accessible her important contributions to philosophy, linguistics, and psychoanalytic feminism.
Oliver (philosophy, Vanderbilt U.) does not attempt to apply psychoanalysis to oppression. Rather she transforms psychoanalytic concepts such as alienation, melancholy, and shame into social concepts by developing a psychoanalytic theory based on a notion of the individual or psyche that is thoroughly social. The psyche and the social world are so
Sometimes I feel just like the glass in my fish tank-- people look right through me. Twelve-year-old Tilly dreams of becoming a marine scientist, but she doesn't even own a swimsuit. She lives in a drought- stricken town with her mum and younger brother Oliver, who is autistic. Oliver's meltdowns are making life unbearable. He needs so many different kinds of therapy that there's never any time--or money--left over for swimming lessons. Tilly knows Oliver's needs have to come first, but it's hard feeling invisible all the time. When Mum announces they are moving to the Queensland coast, Tilly is excited at the thought of finally learning to swim-- even snorkel! But she is also worried. The thing about Oliver is, he can't cope with even the tiniest of changes to his routine. It isn't long before the cracks begin to show. Could so many changes all at once threaten to shatter the whole family?