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So You Wanna be a Director?
Yorkshire-born Ken Annakin is one of the greatest international film directors. The last of the English directors to make it in the international arena (others included Hitchcock and Lean), this autobiography traces Annakin's career from his early British films through to Hollywood. He has directed, written and produced over 50 feature films in Africa, India, Malaysia, Scandinavia, China, Europe and the United States. His films include: Swiss Family Robinson, The Longest Day, Battle of the Bulge, and Those Magnificent Men in their Flying Machines. Annakin's autobiography includes personal and revealing insights into many film personalities, including: Claudette Colbert; Edward G. Robinson; D...
Contemporary British and Irish Film Directors
The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.
World War II Goes to the Movies & Television Guide Volume II L-Z
A Complete Film Guide to motion pictures and television shows that pertain to WWII. Facts and stories about Hollywood personal that served in the Armed Forces, War Bond drives, USO shows,Hollywood Canteen and those who were ruled 4 F during the war. Complete history of world cinema during the years of the war. As well as other interesting facts are also included. Featuring shorts, cartoons, documentaries, and feature films in the second volume L-Z. Don't forget the first volume A-K edition.
British National Cinema
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
A Life Through the Lens
In a career spanning six decades, director of photography Alan Hume has worked on over 100 films and television shows and progressed through the ranks from a young clapper boy to one of the best lighting cameramen in the business. From early films with David Lean, through the popular Carry On series, Amicus horror, four James Bonds, Star Wars: Return of the Jedi, A Fish Called Wanda, Shirley Valentine, Stepping Out, and others, Alan Hume has worked alongside some of the most acclaimed directors and producers and biggest film stars. The memoir, from his evacuation as a child in World War II to his retirement, includes a collection of rare photographs, both in front of and behind the camera. He explains technical details and insights of the industry while divulging anecdotes about celebrities and filmmaking. It concludes with a summary of the technological changes throughout his career and to the present, and a full filmography. With great good humor, Hume offers an incomparable tour behind the camera.
Passport to Fame
"Britain's answer to Marilyn Monroe". This tag was to hang around Diana Dors' neck during the 1950s. As Diana would often point out she had been working professionally a lot longer than Monroe. Her first appearance was in 1946 in The Shop at Sly Corner, while still a student at the London Academy of Music and Dramatic Art. Diana, like Marilyn, was blonde, curvy and sexy, but that's where the comparison ended. Her range as an actress encompassed everything from comedy to Greek tragedy. She was a real person – a quality that endeared her to the public, but above all, she was a survivor. Diana was also a talented writer compiling two autobiographies of herself, as well as her three A - Z books. Diana had a prolific career covering every facet of the entertainment industry - theatre, cabaret, film and TV. Passport to Fame is a comprehensive study of Diana's work across her 40 years of filmmaking. The book is also an invaluable source of reference to the film-buff interested in the changing face of the film industry.
Are They Really So Awful?
Christopher Challis, a distinguished Director of Photography, worked in the British Film Industry for almost fifty years and now looks back on a career that involved him with such giants as Alexander Korda, Michael Powell, Emeric Pressburger and Stanley Donen. Among the many films he photographed are: Chitty Chitty Bang Bang, Those Magnificent Men in their Flying Machines, the Tales of Hoffman and - perhaps the most famous of them all - Genevieve. His compulsively readable memoirs reveal his joy in the madness of it all and tell of the vanity of Cary Grant; the warmth of Audrey Hepburn; the wit of Robert Morley; the professionalism of Sophia Loren; and the long lunches of Richard Burton. Are they Really So Awful? was a question directed at Christopher Challis when he was a young man, and referred to everyone involved in the making of films. In retirement his answer to the question is 'Yes' - but his delightful memoir shows that he loved every moment of it.
British Film Catalogue
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
Charles Bronson
This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.
British Film Character Actors
This informed, highly readable account of 65 great British cinema character actors recalls such highlights of film history as Alec Guiness's obdurate commanding officer in The Bridge on the River Kwai, the chilling screen presence of Peter Cushing, and the hilarious bungling of Ian Carmichael in I'm All Right Jack.
