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Facial expressions convey a vast amount of information, but only recently have investigators begun to explore the precise details of what expressions are telling us about internal states, social behavior, and psychopathology. The Facial Action Coding System (FACS), which is a tool for comprehensively measuring facial expressions, plays a central role in this rapidly growing and exciting field. This volume represents the state of the art in research on facial expressions. Drawing from psychology, medicine, and psychiatry, the chapters address such key issues as the dynamic and morphological differences between voluntary and involuntary expressions; the relationship between what people show on their faces and what they say they feel; and whether it is possible to use facial behavior to distinguish among different psychiatric populations. The volume includes groundbreaking work on how the face reveals emotions, deception, psychopathology, and aspects of physical health. An essential reference for anyone pursuing research in facial expressions, this work combines classic papers with up-to-date commentary by the authors.
In this book Helen Paynter offers a radical re-evalution of the central section of Kings. Reading with attention to the literary devices of carnivalization and mirroring, she demonstrates that it contains a florid satire on kings, prophets and nations. Building on the work of humorists, literary critics and biblical scholars, the author constructs diagnostic criteria for carnivalization (seriocomedy), and identifies an abundance of these features within the Elijah/Elisha and Aram narratives, showing how literary mirroring further enhances their satirical effect. This book will be of particular interest to students and scholars concerned with the Hebrew Bible as literature but will be valued by those who favour more historical approaches for its insights into the Hebrew text.
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An examination of MT Esther’s relationship to the Joseph story, this study employs recent advances in author-oriented biblical intertextuality to address the debate concerning the religious purpose of the Scroll. While previous scholarship has seen Esther’s divine silence indicating God’s hidden hand, the characters’ or readers’ quiet faiths, or the secular concerns of an ancient Jewish nationalism, key aspects of Esther’s allusive character illustrate how the book purposefully constructs a theology of divine absence. As good-looking Israelites continue to rise in foreign courts to deliver themselves and their people from imminent dangers, the patterns God initiated in the Egypti...
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