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Among Australians use of alcohol and other drugs is almost ubiquitous and results in 13% of total morbidity, but clinicians generally receive limited training in diagnosis and management of substance-use disorders. Written by clinical and academic specialists in their fields, and providing a comprehensive overview of the principles and practice of addiction medicine, this textbook will facilitate such training. The book’s 36 chapters, by 62 specialist contributors, are organised into 5 sections. In Section 1, how substance use can be understood and core principles of management of substance-use disorders are outlined. In Section 2, the clinical and other core skills required for practice a...
First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.
Northern Irish poets have been notably reticent when addressing political issues in their work. In Sympathetic Ink, Shane Alcobia-Murphy traces that tendency through the works of Seamus Heaney, Paul Muldoon, and Medbh McGuckian. Using collections of the poets’ papers made only recently available, Alcobia-Murphy focuses on the oblique, subtle strategies they apply to critique contemporary political issues. He employs the concept of sympathetic ink, or invisible ink, arguing that rather than avoiding politics, these poets have, via complex intertextual references and resonances, woven them deeply into the formal construction of their works. Acute and learned, Sympathetic Ink will serve as a perfect introduction to these crucial figures of Irish poetry.